Tag Archives: film

Journey to Space

Narrated by Patrick Stewart and available in native 4K and 3D, Journey to Space reveals that Nasa’s next era will be its greatest yet. Journey to Space showcases the exciting plans NASA and the space community are working on, and the challenges they must overcome to carry out audacious missions from landing astronauts on Mars to capturing asteroids.

We put into historical context the magnificent contributions made by the Space Shuttle program and its intrepid space pioneers using spectacular space footage – including unique views of Earth and operations in space – such as deploying and repairing the Hubble Space Telescope. We go on to show how the Shuttle launched and assembled the International Space Station. Together, these programs have taught us how to live, build and conduct science in space. The International Space Station will continue operating in space until 2024; Journey to Space shows how it is building a foundation for the next giant leaps into space.

 

In the Name of Honour

In the Name of Honour exposes frightening cases of ‘honour’ killings – the killing of a relative, especially a girl or woman, who is perceived to have brought dishonour on the family – from India, Jordan and Palestinian Territories. Hindu, Muslim and Christian families all share the tragic experiences that wrecked their lives.  

In this part verité / part investigative documentary, director Pawel Gula proves there is no honour in killing. The film juxtaposes horrific news footage with insights from the families of victims whose lives have been irreparably damaged and the killers who are still debating the consequences of their actions. Broader commentary from officials and activists fighting this horrific tradition combine to create a comprehensive picture of this brutal, hidden practice.

In the Name of Honour from Sideways Film on Vimeo.

Who Took Johnny

If you’ve ever gotten separated from your child for just a few moments and remember the depth of panic that sets in, then you can begin to understand what Noreen Gosch has felt over the last 30 years since her son Johnny disappeared delivering newspapers on the morning of September 5, 1982.

More than any other missing child case, Johnny’s story has spawned countless theories and has instilled intrigue in the millions who remember the kid on the side of a milk carton. Along the way there have been mysterious sightings, strange clues, bizarre revelations and ambiguous photographs. A confrontation with a person who claims to have helped abduct Johnny paves the way to a crime scene and the possible involvement of a child abduction and prostitution ring. And then a knock on the door in the middle of the night raises as many questions as perhaps it answers..

Who Took Johnny is an examination into the infamous thirty-year-old cold case behind the disappearance of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The film focuses on the heartbreaking story of Johnny’s mother, Noreen Gosch, her relentless quest to find the truth about what happened that tragic September morning when Johnny never returned from his paper route and her life since in helping others to mobilise the authorities when their children go missing.

Who Took Johnny captures the endless intrigue and conspiracy theories surrounding the eye-witness accounts, compelling evidence and emotional discoveries which span three decades of the most spellbinding missing person’s case in U.S. history.

“Timely, shocking and relentlessly compelling, documentary Who Took Johnny recounts the strange story surrounding the disappearance of paperboy Johnny Gosch, one of the original milk carton kids..Viewers with a taste for true-crime drama and plausible conspiracy theories are likely to come away wanting more, making the film a good candidate for a spin-off series. Others may cherish the ambiguity here, the way Capturing the Friedmans it allows room for debate.. despite the potentially lurid nature of the material, the film is never exploitative and a sense of compassion and respect, one untarnished by sentimentality, for victims and their families shines through throughout.”
Leslie Felperin, The Hollywood Reporter

“An amazing, lunatic documentary that will leave you creeped-out, excited and surprised”
John Waters, director of Hairspray and Crybaby

 

Resistencia

“A thoroughly captivating window into history as never told by the winners — beautiful, enraging, profoundly inspiring.” Naomi Klein

June 28th, 2009. The Honduran people are preparing to vote in the first referendum in the country’s history. But, instead of waking up to ballot boxes, they see soldiers carrying out the first coup d’état in Central America in three decades.

This is the story of the two thousand farming families who challenged the coup by taking over the plantations of the most powerful landowner in the country and converting them into worker-run cooperatives.

Shot over four years, the film is both a testament to the capacity of an organized movement to transform the most fertile land in the country, as well as an account of the coup regime’s violent attempts to get the land back.

Marriage: Shattered Vows

With changes in society leading to a fall in marriage and rise in divorce, is it possible that the institution has outlived its function?

It’s well known that the origins of marriage are in consolidating wealth, unifying allied families and fomenting a society where the family unit is self-sufficient, but as we have moved on, the concept of marriage has remained static. Marriage: Shattered Vows examines what marriage means to us today, visiting the lives of those devastated by their own perceived failures and religious figures who promote it. We investigate the marriage industry and the costs of divorce, against a backdrop of government incentives, look at the arrival of Gay marriage, the rise in sanctioned infidelity and alternative relationship structures.

2015: Winner: Best Feature Documentary, New York Los Angeles International Film Festival.

Mad As Hell

The Young Turks, one the most popular online news show in the world, has amassed a YouTube network of over 2.4 million subscribers and 2 billion views. But that wasn’t always the case.

MAD AS HELL documents the tumultuous, at times hilarious and altogether astonishing trajectory of Cenk Uygur, The Young Turks’ main host and founder, as he traverses from unknown Public Access TV host to internet sensation by way of YouTube. When he ventures into national television by landing the 6 PM time slot on MSNBC, Cenk’s uncensored brand of journalism is compromised as he becomes a thorn in the side of traditional news media; his unwavering dedication to speaking the truth puts him at the nexus of the battle between new and old media, and makes MAD AS HELL not only entertaining, but incredibly timely as well.

 

ISIL: Rebranding An Old Story

ISIL (Islamic State of Iraq and Levant) has undoubtedly become a real, illusive threat to the whole of the Middle East. In spite of what we see on the surface, so many questions have arisen that give pause for reflection about the many factors involved in sustaining this terror group. Who are funding them? Who benefits most from the disorder and chaos across the region? Who are the major players behind the scenes?

This comprehensive documentary answers all of these questions. It takes us to the formation of ISIL explaining the process through which they have been funded, armed, and equipped by countries including the US, Turkey, Qatar, Saudi Arabia and more, and explores how western interference in the region has led to the chaos in which ISIL are able to thrive.

U.N. Me

Following the horrors of World War II, there was a strong desire for a better world in which peace would be maintained and human rights respected – the U.N was born. Now, more than 60 years later, the image of the UN has become severely tarnished.

International peace and security is in a perilous state, and scores of stories are flying around demonstrating that the UN and its Security Council could have done more harm than good.

Documentary filmmaker Ami Horowitz takes us on a brutal tour of a number of places where the UN has intervened. Through interviews with those involved — some of whom wish to remain anonymous — and archive footage, we uncover facts about abuses and scandals surrounding UN missions and personnel.

The ‘forgotten’ shooting in Côte d’Ivoire, during which UN soldiers opened fire on unarmed demonstrators, the “Oil for Food” program in Iraq, which resulted in the wrong people reaping the benefits and the harrowing case of the UN soldiers who stood by, powerless, during the genocide in Rwanda. These are just some of the stories uncovered in what the Los Angeles Times has called ‘a scathing take down of the United Nations’.

Closed Sea

Closed Sea reveals the untold story of the endangered migrants who attempted to escape Libya to Italy during the 2011 war, only to be returned to the hands of Gaddafi as a result of a prior agreement signed between Berlusconi and Gaddafi.

During a perilous journey by boat from Libya to Italy, our protagonists become adrift, facing near certain death on the waves. A sighting, and subsequent rescue, by the Italian Navy cause scenes of unbridled joy and celebration – all captured by the stranded refuges on camera-phone.

Their joy though was to be short lived as it soon became clear that their rescuers had other plans.

Closed Sea meets the refugees who were forced back into the hands of the dictator, and witnesses the abuses faced by those who dared to attempt an escape. Families are divided and in limbo as Gaddafi’s regime crumbles and the revolution gains pace, though it is the European Court of Human Rights in Strasbourg that truly determine the final fate of our protagonists.

From their battered vessels and failed rescue to their subsequent imprisonment, tenure at a refugee camp and onward to the distant European Court of Human Rights. Closed Sea captures the dramatic stories of those whose lives were torn apart and forgotten, not just by Gaddafi, but his allies in Europe who claim to stand for freedom and human dignity.

Along Gaddafi’s Road

For the first time in 42 years, a camera enters Southern Libya in what was forbidden territory under the Gaddafi regime.

Shortly after Gaddafi’s demise, we accompany members of the disgraced Tabu tribe along the road to their impoverished desert territory near the Algeria-Niger-Chad borders 1000 Km from Tripoli.

Electricity has been on again for barely two months, mobile phones haven’t worked for seven. Fuel is scarce and queues are endlessly long. Two widespread weapons are in use: sat phones and Kalashnikovs.

Closely guarded by rebel escorts for security reasons, we follow the illegal immigrants route all the way to the Niger border. We discover how Gaddafi challenged Europe at the beginning of the revolution by sending and financing flows of migrants. Rebels, smugglers and victims of the old regime tell their stories.

The desert’s well-preserved secrets now finally come to light.

You, Me and the SPP

Not heard of the Security Prosperity Partnership? You’re not alone. The people behind the SPP want to keep us all in the dark.

The SPP is the latest version of corporate plans to control the social, political and economic destiny of the world.

Following the shock of 9/11, right wing political and business leaders have pushed the Security Prosperity Partnership. Negotiated away from public scrutiny, they say it is a way to keep trade flowing between the USA, Canada and Mexico.

You, Me and the SPP shows the SPP is much more than a trade agreement.

The SPP undermines our democratic rights and the ability of our elected representatives to pass laws and regulations that safeguard the environment, protect workers rights and control the economy in the interests of ordinary citizens.

The SPP threatens the sovereignty  of all three countries through the integration of military and security structures, and regulatory regimes.

Democracy could become an empty shell..

Death of a Cemetery

Manila North Cemetery in the Philippines is a place of rest for 3000 people, all of whom are alive.

When rich families first erected mausoleums for their dead in the 1800s, they needed caretakers to maintain them and guard any valuables buried within. In exchange for their work, the caretakers were allowed to live inside the mausoleums, and a cemetery community was born.

Gravekeepers grow gardens around tombs; chefs cook up hearty fare in pop-up restaurants alongside crypts; and children play basketball in between school and funerals.

Manila North Cemetery has become a home to those without a home. But the graveyard is not always peaceful. One caretaker must face the task of burying his own relative in the cemetery, and another – only 13 years old – must undergo an exorcism lest forever be possessed by the spirits he disturbed.

Yet in a place where exhumations, ghosts, and witch doctors are part of daily routine, the biggest dangers residents face are universal to the human experience.