The God Cells: A Fetal Stem Cell Journey

Stem Cell research and therapy have been growing at a rapid rate over the past fifteen years. Scientific advances coupled with consumer demand have proven that stem cell therapy is the wave of the future, and is poised to change the face of medicine.

The only hurdles have been religious and regulatory roadblocks slowing down the approval process for fetal stem cell therapy, arguably the most contested and controversial form of stem cell therapy to date, due to them being harvested from abortions.

The God Cells takes the audience on a journey with those who seek the life changing fetal stem cell therapy abroad, while avoiding the seemingly insurmountable roadblocks at home.

“The demand is real, patients with current unmet medical needs are desperate and require this therapy, but the current regulatory and industry hurdles are making it near impossible for us to do our job and get these important stem cell therapies to those people in need. Because of this, many scientific organizations are taking their technology abroad to appease patient demand, because they feel the current regulatory hurdles are insurmountable.”

Randal Mills, PhD, President and CEO for California Institute For Regenerative Medicine

Burzynski: Cancer Cure Cover Up

Burzynski: The Cancer Cure Cover-up is the story of a pioneering biochemist who discovered a unique and proprietary method of successfully treating most cancers. This documentary takes the audience on a near 50-year journey both Dr. Burzynski and his patients have been enduring in order to obtain FDA-approved clinical trials of Antineoplastons. Defying the face of skepticism, legal attacks from state and federal agencies, and a powerful propaganda campaign to stop Burzynski – this doctor and his patients are still going strong.

Due to the continued failed efforts of state and federal agencies in their attempts to stop Burzynski from continuing to treat patients and expand his research, special interest groups have since launched a relentless propaganda campaign against Dr. Burzynski, and his supporters and patients, in hopes  that this game-changing innovation never reach the open market.

The primary reason that the cancer industry and its regulatory agencies fear the approval of Antineoplastons is purely economical.

If Antineoplastons were FDA-approved for just one cancer type this would mean that anyone of any age diagnosed with any type of cancer could legally insist their oncologist provide them with Antineoplastons “off-label”.   Given the gentle and nontoxic nature of these medications, most people would begin to opt for Antineoplastons as a first line of defense against their cancer instead of first choosing life-threatening yet profitable chemotherapy and radiation.

Burzynski: The Cancer Cure Cover-up investigates this hidden cancer treatment and the decades of failed lawsuits the US government and FDA have pursued in order to try to silence him.

Freedom From Choice

Life is about choice. What we eat, what we read, who we elect; every day we make choices that determine how we want to live.

But what if these choices are just an illusion?

In an era where regulations and red tape rule every industry, where lobby groups and big business wield more influence than ever before, our daily choices have become increasingly limited. And with all our options so deliberately handpicked, are we really making a choice at all?

Freedom From Choice examines the current state of life and personal choice today. Experts from many different fields offer a frank and startling look at the hidden limitations in our daily lives. Focusing on key areas such as food, medicine, finance, and media, Freedom From Choice provides viewers with a glimpse at the myriad of ways their lives are being dictated, and tells us who stands to gain.

End of the Road

In 2008 the world experienced one of the greatest financial turmoils in modern history.  Markets around the world started crashing, stock prices plummeted, and major financial institutions, once thought to be invincible, started showing signs of collapse.  Governments responded quickly, issuing massive bailouts and stimulus packages in an effort to keep the world economy afloat.

Although we’ve been told that these drastic measures prevented a total collapse of our system, a growing sense of unease fills the population.  In the world of finance, indeed in all facets of modern life, cracks have started to appear.  What lies ahead as a result of these bold money printing measures?  Was the financial crisis solved, or were the problems merely kicked down the road?

The Shark Con

When Director Rusty Armstrong accompanied the Editor of Shark Diver magazine on a diving trip, a passion for shark conservation was shared by everyone they met. Overfishing and finning were the reasons for their depletion and had to be stopped. But then at the end of the trip, they met a retired shark fisherman who had different ideas about shark conservation…

The shark fisherman had fished sharks for three decades, and kept extensive notes about his catches and shark migrations, but then in 1997, the National Marine Fisheries Service (NMFS) attempted to put an end to overfishing and heavily reduced shark fishing quotas. Despite a well-known scientist presenting ground-breaking research that proved sharks couldn’t be overfished, his work was dismissed and the shark fisherman were put out of business.

The Shark Con uncovers the truth about the shark conservation industry.

Following the collapse of shark fishing, the shark tourism industry – comprised of people with a common goal of protecting sharks – was the next to suffer from new regulations being imposed. As the investigation mounts, it becomes clear that many non-profit organisations were raising millions of dollars each year for shark research, yet very little research was actually being done. Meanwhile, more and more regulations were being implemented.

The Shark Con takes viewers on a rollercoaster ride into the big business of shark fishing, revealing the controversial truth about the industry and answering the question: Are sharks really overfished or is this just an elaborate con?

The Grand Experiment

There is a grand experiment underway, the birth of a new financial market, one that promises to solve society’s most complex, intractable problems. An unorthodox marriage between capitalism and charity, The Grand Experiment tracks a social innovation that has won the backing of both conservative and liberal governments, support from renowned philanthropists like the Rockefeller Foundation, and buy-in from Wall Street’s biggest investment bank, Goldman Sachs.

Social Impact Bonds (SIBs) are an investment product designed to raise private capital for social programs. Governments pay investors a return only if the programs decrease public expenditures by improving social outcomes, for example lowering the number of unemployed or prisoners. The profit paid by government to the investor is commensurate with the success of the social program.

From the halls of power to society’s struggling underclass, The Grand Experiment follows an unusual cast of characters forging previously unthinkable alliances: social workers and Wall Street bankers, the homeless and venture capitalists, conservative and liberal politicians. Over three years – in Canada, the United States and the United Kingdom – this feature film tracks their efforts to use profit motivation to solve everything from crime to addiction to homelessness.

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Sir Ronald Cohen is the creator of social impact bonds, and leader of the international SIB revolution. As chair of the newly formed G8 Taskforce on Impact Investment, he’s been charged with igniting impact investing around the globe. Credited with creating the global venture capital market, Sir Cohen believes impact investing will be a democratizing force giving equal opportunity to all.  By enticing investors with the lure of a double bottom line, he aims to bridge the gap between rich and poor.

At Melody Elementary School on Chicago’s west side, we’ll follow Kindergarten children through a school year in one of the city’s poorest neighborhoods. These students and their parents are part of a program designed to reduce the city’s special education costs. Goldman Sachs and local venture capitalists have invested $17 million in the Chicago bond.  If the children test well, they’ll make a profit, which they hope will galvanize a global impact investment market.

For head teacher Michelle Stewin, the money is a chance to keep their program alive. Poverty, unemployment, and homelessness, have stacked the cards against her students.  Will the teachers and children at Melody get the test scores they need to keep the money flowing?

In Canada, the Ontario government is looking to launch its first social impact bond. We have negotiated exclusive access to film the final selection process, as four short-listed non-profits work with finance consultants to hone their business case and pitch to investors. The finalists are attacking a wide range of confounding social problems: generational unemployment, habitual young offenders, and chronic homelessness.

In the UK, Sir Cohen’s creation is facing growing opposition.  Some labour unions and non-profits are accusing the British Cabinet Office of pursuing a privatization agenda, and opening up government coffers to society’s wealthiest individuals. In the United States, academics have questioned the metrics used to pay Goldman Sachs a maximum return on the country’s first successful SIB.

Despite the concerns surrounding SIBs, they are the fastest growing social innovation in modern history. Currently there are 53 in more than a dozen countries, including: the UK, U.S., Canada, Australia, Germany, Belgium, Netherlands, Israel, Japan, Finland, Sweden, Ireland, Italy, India and Malaysia.

In Chicago and Ontario, and through the international efforts of Sir Cohen, The Grand Experiment will document one of the most important shifts of the 21st Century. At the heart of this film is one central question: is capitalism the answer to our social problems?

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Contact us to request full treatment, more screening material, information on broadcast partners, budget, finance plan or any other matters relating to potential partnerships.

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Director: Nadine Pequeneza
Producer: Nadine Pequeneza
Distributor: Sideways Film
Country of Production: Canada
Language: English
We are looking for: Co-Pro and Pre Sales
Stage of Project: Development
Delivery Date: Dec 2017

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Key Biographies

Director – Nadine Pequeneza

Nadine Pequeneza is an award-winning Producer, Director and Writer best known for her observational films offering unique access to character-driven stories about social justice. With over 15 years international experience, she has received multiple awards including; a Canadian Screen Award for Best Writing in a Documentary Program, the American Bar Association Silver Gavel, a Gold Hugo from the Chicago International Film Festival, a Golden Sheaf from the Yorkton Film Festival, and a Gold Panda from the Sichuan TV Festival. Nadine is a 7-time Canadian Screen Award nominee in both directing and writing categories. Her work has broadcast in more than 50 countries.

As the founder of HitPlay Productions, Nadine has produced and directed the company’s feature documentaries, including: Up In Arms, Inside Disaster, and Raising Cassidy. Her most recent documentary feature, 15 to Life: Kenneth’s Story, premiered in August 2014 on the award-winning PBS series POV. She is currently in production on a film about the legalization of physician assisted dying in Canada for CBC.

Editor – Ricardo Acosta

Ricardo immigrated to Canada from his native Cuba in 1993. He is a Sundance alumni and has edited award-winning documentaries for the past 20 years, including: Sembene! premiered at Sundance and screened at Cannes in 2015.
Marmato won Best Editor in a Documentary from the Canadian Cinema Editor Awards. Herman’s House premiered at the Hot Docs Canadian International Documentary Festival and won an Emmy for best Political Arts documentary.

The Take directed by Naomi Klein and Avi Lewis, official selection at the Venice Film Festival and winner of the Canada Screen Award for Best Picture Editing.

Cinematographer – Stan Barua

Stan Barua’s work has attracted accolades and awards on five continents. Born in Poland where he earned his MA in Cinematography from the National Film School in Lodz, he also lived and worked in Kenya before moving to Canada in 1998.
Baba’s House Best Cinematography Award, Yorkton Short Film Festival; Eastman Kodak Cinematography Award, Houston International Film Festival; Best Canadian Short Drama Award, Atlantic Film Festival.

Rain Best Atlantic Canada Short Film Award, Atlantic Film Festival. Forgotten Places Best Cinematography Award, Warsaw Terra Film Festival.