Fatal Flaws: Legalising Assisted Death

Should we be giving doctors the right to end the lives of others by euthanasia or assisted suicide?

Fatal Flaws: Legalising Assisted Death is a thought-provoking journey through Europe and North America to find answers to this question.

Some 20 years after these laws were introduced, even
some of the most loyal supporters of assisted dying
are questioning where these laws are taking us.

The grandfather of euthanasia in the Netherlands, Dr. Boudewijn Chabot speaks of a ‘worrisome culture shift’ and that euthanasia is ‘getting out of hand’ – especially as it relates to patients with psychiatric issues.

The cost of ongoing treatment is putting pressure on an already fraught decision making process, and the many are questioning the motives of those tasked with making the decisions.

Meanwhile, the suicidal can simply ‘shop around’ until they find the decision they are looking for, or more worryingly – others can do the same for those they are tasked with caring for.

With powerful testimonies and expert opinion from both sides of the issue, Fatal Flaws: Legalising Assisted Death uncovers how these highly disputed laws affect society over time.

In the Executioners Shadow

In the Executioner’s Shadow casts a penetrating look at the consequences of the death penalty through three powerful stories –  a former state executioner who comes within days of executing an innocent person; a Boston Marathon bombing victim who struggles to decide what justice really means; and the parents of a murder victim who choose to fight for the life of their daughter’s killer.

As the battle over capital punishment heats up, this provocative film challenges viewers to question their deepest beliefs about the meaning of justice.

End of Truth

“They are gone.” These are the words that propelled photojournalist Nicole Tung into a daunting situation which nothing could have prepared her for. Masked men wielding Kalashnikovs had abducted her friends John Cantlie and James Foley while they were en route from Syria back into Turkey. Nicole had been nervously waiting for their arrival at the border. Instantly, their fate rested upon her ability to find out who captured her friends and how to get them back alive.

The abductions of John Cantlie and James Foley were the beginning of a hostage taking frenzy which impacted the foreign policy of many countries.  Because of media blackouts surrounding the kidnappings, many others unwittingly ventured forth into hostile ISIS territory. Fixers were targeted, causing people who thought they were safe to be captured. These unsuspecting journalists and aid workers were thrown into a dark and desperate situation that ended horribly for those whose countries didn’t pay ransom. These crimes revealed what can happen when truths are obscured – causing negotiations and rescue missions to go horribly wrong.

End of Truth is an emotionally powerful investigation into the political and criminal enterprise of kidnappings as ISIS rose to power in war torn Syria. By intercutting exclusive footage with intimate interviews of negotiators, investigators, fixers and even a used car salesman who are caught up in the confusion, we examine the leads that led to lies revealing the terrible consequence of misinformation when lives are at stake.

91%: A Film About Guns in America

America’s 325 million residents own an estimated 347 million firearms. Not surprisingly, gun violence has become one of the most urgent public health issues facing Americans today.

In 91%, a cross-section of U.S. gun violence victims tell their heartbreaking stories of loss, pain, and a heroic search for hope in a nation stalled in a senseless gun control debate. Throughout these otherwise unrelated shootings, we find a common thread – the gunmen had all-too- easy access to the virtually untraceable, high-powered weaponry used in their attacks.

In the wake of the Sandy Hook Elementary School massacre, a 2013 poll revealed that 91% of Americans support comprehensive background checks – a factor that could prevent thousands of similar gun violence tragedies nationwide. Yet, divisive political rhetoric and congressional gridlock continues to perpetuate a flawed system that hurts communities across the country.

Moving beyond the confusing gun control politics and avoiding any discussion about the often-unpredictable motivations of rampage killers, 91% shows that Americans almost unanimously support both 2nd amendment rights and common sense regulation. The film finds a shared language between citizens on both sides of the issue, encouraging them to move common sense policy forward by speaking up in a conversation typically dominated by firearm lobbyists and manufacturers.

By highlighting the impact of unregulated gun sales on schools, families, and communities across the country, 91% addresses the real problems and possible solutions to gun violence in America. It’s something we all agree about, we just don’t know it yet.

Bad Hombres

Bad Hombres explores the most heavily used migration route on Earth. Journalist Stef Biemans traveled between Guatemala and the US to see what the so-called ‘bad hombres’ hope to find in the USA.
Who are the people who inspired the building of a wall on the Mexican border?

“Biemans stays calm at all times and defers to his subjects. The result is rich and integral television, sometimes moving and always captivating”

De Volkskrant

Also available as a five part series:

Episode One:

Episode Two:

Episode Three:

Episode Four:

Episode Five:

Timelines

Three girls die before their 21st birthdays. Kayleigh, 19, a victim in a fatal car accident; Amber, 16, bullied into taking her own life; and Jenna, 20, lost a fight with a rare disease. Soon after, their stories go viral and the world is given access to their lives and deaths.

Kayleigh wrote a bucket list that was shared the world over after her death, inspiring thousands of strangers to live her dreams. Amber seemed to have it all, her suicide sent shockwaves through her small town, questions are asked and a portrait of online bullying and torment emerge. Jenna is diagnosed with a disease so rare that doctors didn’t know how to treat it, turning to social media to find support and raise awareness, her campaign ‘Get Me to 21’ makes her a star, and saves lives but sadly not her own.

Timelines is a documentary about three young girls who lived and died on the internet, a story about grief in the digital age and how personas are shaped online. And for the families the question remains, how do you say goodbye, when death goes viral?

Timelines from Sideways Film on Vimeo.

Victor’s Last Class

At the age of 52 and suffering from terrible chronic back pain, Victor D’Altorio decided to end his life.

Victor was a proud homosexual, a lover of life, honest, and outrageous. As an acting teacher of the Meisner technique for 20 years, he was committed to living in the moment, and accepting all that that had to offer, however painful it may be. But after fighting bone marrow cancer into remission he found himself with debilitating degenerative disc disorder in his neck and back, and he could not deny the pain that he was in or the dim prospects of relief. His personal commitment to truth and honesty made him despise the idea of suicide in the traditional sense. He simply could not cause that pain to the ones he loved. He decided to tell everyone (via his blog) that he was going to kill himself. This is the starting point for our story.

Over the next five months together we see Vic soaking in the tub in pain, making sex jokes, yelling at the cameraman, crying over his deceased partner, teaching eager new students, wavering on the big choice, and bonding with Brendan, the film maker. During this time, Brendan’s mission changes. He stops being simply the filmmaker asking why, and becomes a close friend trying to change Victor’s mind. Brendan puts together an acting class for Victor to teach to remind him of the life he once loved living, he teams with other students to produce the play that Victor had written, he does all he can to convince his new friend and mentor to stick around.

Private Violence

Private Violence explores a simple, but deeply disturbing fact of life: the most dangerous place for a woman is her own home. Every day in the US, at least four women are murdered by abusive (and often, ex) partners. The knee-jerk response is to ask: ‘why doesn’t she just leave?’.

Private Violence shatters the brutality of this logic. Through the eyes of two survivors – Deanna Walters, a mother who seeks justice for the crimes committed against her at the hands of her estranged husband, and Kit Gruelle, an advocate who seeks justice for all women – we bear witness to the complicated and complex realities of intimate partner violence. Their experiences challenge entrenched and misleading assumptions, providing a lens into a world that is largely invisible; a world we have locked behind closed doors with our silence, our laws, and our lack of understanding. Kit’s work immerses us in the lives of several other women as they attempt to leave their abusers, setting them on a collision course with institutions that continuously and systematically fail them, often blaming victims for the violence they hope to flee. The same society that encourages women to seek true love shows them no mercy when that love turns dangerous. As Deanna transforms from victim to survivor, Private Violence begins to shape powerful, new questions that hold the potential to change our society: ‘Why does he abuse?’, ‘Why do we turn away?’ and ‘How do we begin to build a future without domestic violence?’

“The obstacles against effectively protecting battered women and prosecuting their abusers are vividly illustrated in ‘Private Violence’.. This potent documentary is a natural for public broadcast tube slots” Variety, Dennis Harvey

“‘Private Violence’, a documentary on Monday night on HBO, shows with shocking clarity that the worst of such cases rarely involve just a single punch, and that the problem is far more entrenched than a trending-on-Twitter moment makes it seem.” New York Times, Neil Genzlinger

“Hill managed powerful and intimate access to women who suffered with the realities.” Huffington Post, Rob Feld

“Domestic violence is a door marked ‘Do Not Open’, and here is Private Violence, opening it, and saying, ‘Step inside, have a look.'” Vulture, Matt Zoller

“Private Violence does not, as some social-issue documentaries do, continuously slam us in the face with these statistics. Instead, the film takes us inside, takes us behind closed doors, to come face-to-face with victims, families, and advocates” Bitch Flicks, Leigh Kolb

“Private Violence, an HBO documentary that follows the stories of several domestic violence survivors, is challenging the stigmas and stereotypes that surround the topic of domestic violence and, through intimate and often disturbing storytelling, details the intricacies of an issue that most people don’t fully understand.” Popsugar, Hilary White

Killing the Messenger: The Deadly Cost of News

In December 2006, the UN Security Council unanimously passed landmark Resolution 1738 which demanded greater safety for journalists in conflict areas and called for an end to impunity for their killers. Since the UN resolution was passed, over 600 news media workers have been killed, while more have been imprisoned or have simply disappeared while on the job. Countless others have been intimidated into self-censorship or have gone into exile.

If no story is worth a life, then why is murder the number one cause of journalists’ deaths worldwide?

Murder is the leading cause of work related deaths for journalists as censorship increases worldwide. In addition to those who have been killed, dozens have been attacked, kidnapped, or forced into exile in connection with their coverage of crime and corruption.

Journalists reporting from Mexico, Russia and the conflict zones of Iraq, Afghanistan and Syria tell their personal stories of kidnapping, intimidation, and beatings. They’ve experienced the loss of colleagues in the field and have been close to death themselves. Their stories are heartfelt, captivating, engaging and at moments – unbelievable.

The targeting of Journalists worldwide affects anyone who believes that information and accurate reporting play a part in healthy societies.

Awards:

2015: The Edward R. Murrow Award, from The Radio Television Digital News Association, recognising excellence in electronic journalism.

2015: National Headliner Award, recognising journalistic merit in the communications industry.

The Digital Drug Industry

Drugs have never been more marketed than they are now. The most recent European Drug Report refers to this as an “uberisation” of the drug market, with it now being easier to order a gram of cocaine than a pizza. But with this ease of access and glossy marketing has come a dark outcome; a sharp uptake in drug use in children, as young as 10. The world has been hit by a wave of deaths of children who have taken Class A drugs such as ecstasy, and many have been found to have bought those drugs on Instagram and Snapchat. Tir Dhondy investigates how easy it really is to pick up, and whether it’s possible to regulate this digital wild west.

GHB: The Deadly Party Drug

GHB can make you happy and horny with no comedown but a milliliter too much can put you in a coma or kill you. You may have heard about it as a chemsex or a date rape drug, the substance that leads to DJ Jackmaster’s career being canceled, or in headlines about overdoses all over Europe.

With a lack of reliable statistics and reporting, we investigate just how widespread this dangerous drug is. What we uncover is alarming: a hidden G epidemic has been spreading through raves and clubs across the continent, leaving a trail of death in its wake.

We travel to the party island Ibiza, visit Holland’s hardcore fanatics, and DJ Jackmaster speaks out for the first time since he was accused of sexually harassing festival staff while he was on the drug.