Tag Archives: first

Finding Fidel

Finding Fidel tells the remarkable story of war cameraman Erik Durschmied, who in 1958 journeyed to Cuba’s Sierra Maestra mountains to interview a little-known rebel leader named Fidel Castro. A month later, Castro’s band of fighters rolled into Havana, and the world would never be the same.

Intercutting Durschmeid’s reflections on the lost promise of Castro’s Revolution with his rarely seen interview with the young Fidel, award winning filmmaker Bay Weyman explores the hinge of fate, the vagaries of history, and the power of media in both men’s lives.

Durschmied spent weeks in Castro’s guerrilla headquarters, filming fascinating scenes of camp life with the rebels, and conducting the only known English-language interview with Fidel from the period just before he came to power. The interview is a unique time capsule, vividly depicting Castro’s early views, his struggle against the dictator Batista, and his goals for the Revolution.

“There is no Communism or Marxism in our idea,” Fidel insists. “Our political philosophy is representative democracy and social justice in a well-planned economy.”

Finding Fidel follows Durschmied as he returns to Cuba on the 50th Anniversary of the Revolution, retracing his original route to the mountains. Durschmied tells the true story behind his interviews with Fidel, and of the future dictator’s consummate use of the media to control his message and create his image. The daring young cameraman brought Castro’s message to the world just as Havana fell, and as a result his career took off.

Though he has witnessed many of the major events of our times, for Durschmied the interview on a mountaintop in Cuba remains the most meaningful. As he returns to Castro’s camp in the Sierra Maestra, he finds an unexpected touchstone that marks the beginning and end of the journey.

Mr. Fish: Cartooning from the Deep End

We find Mr. Fish, who once had success creating compelling, outrageous editorial cartoons, as his profession is dying out.

Editors who previously backed his controversial work are disappearing as fast as the newspapers which once employed him. Can an outspoken artist raise a family and maintain his unique defiant voice?

This intimate documentary follows the artist as he struggles to stay true to his creativity in a world where biting satiric humour has an ever-diminishing commercial value. Mr Fish: Cartooning from the Deep End examines the compromises a radical artist makes (or refuses to make).

 

“A stubbornly amiable film about a compulsively provocative talent, “Mr. Fish” ponders the outer limits of editorial cartooning in an age where there’s arguably more fodder for such commentary than ever… 

to further offset the queasiness that Mr. Fish’s images often generate, Bryant lends his well-crafted feature a bright, playful, even antic tenor, painting his subject as a lovable eccentric rather than a tortured artist.”
Variety

“The film hit my heart and brain with such velocity that it literally made me sit on the edge of my seat”
Ain’t It Cool News

The Good Neighbour

The Good Neighbour highlights the operations of the Norwegian oil company  Statoil,  in the notorious Canadian oil sands industry. Statoil is primarily owned by the Norwegian people and  has in recent years become a major player in global oil production.

The controversial oil sands in Northern Canada  are the biggest energy project in the world.

It is well established that the oil sands are an environmental disaster – however is it also a human rights disaster? The land belongs to First Nation Peoples who are fighting against environmental damages. Norway is the richest country in the world and Statoil promotes itself as being at the forefront of a developing industry that prioritizes equality, social justice and the importance of environmental responsibility. Do they fulfil this commitment from the perspective of the First Nations people?

A young Norwegian woman Julie Strand Offerdal wants answers and embarks on an epic journey from Montreal to Fort McMurray in a truck that runs on used vegetable oil. She navigates through a system, which proves to lack monitoring mechanisms, governmental rules and regulations, and violates  First Nation´s human and land-based constitutional rights. The overbearing presence of the companies weaves into the fabric of the every day lives of the people in an irreversible way, altering for better or worse the way of life of the First Nation’s people forever.