The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Files

In 1971, Daniel Ellsberg, a high-level Pentagon official and Vietnam War strategist,
concludes that the war is based on decades of lies and leaks 7,000 pages of top secret
documents to The New York Times, hoping to help stop the war he helped plan.

The Most Dangerous Man in America is the riveting story of how one man’s profound
change of heart creates a landmark struggle involving America’s newspapers, president
and Supreme Court– a political thriller whose events led directly to Watergate, Nixon’s
resignation and the end of the Vietnam War.

Manufacturing Consent

Funny, provocative and surprisingly accessible, Manu explores the political life and ideas of Noam Chomsky, world-renowned linguist, intellectual and political activist. In a dynamic collage of new and original footage, biography, archival gems, imaginative graphics and outrageous illustrations, the film highlights Chomsky’s probing analysis of mass media. A mammoth two-part project, MANUFACTURING CONSENT is nonetheless light on its feet, favoring a style that encourages viewers to question its own workings, as Chomsky himself encourages his listeners to extricate themselves from the “web of deceit” by undertaking a course of “intellectual self-defense.” Appearing in the film are major journalists and critics, including Bill Moyers, William F. Buckley, Jr., Tom Wolfe, Peter Jennings, Jeff Greenfield, philosopher Michel Foucault, White House reporter Sarah McClendon, New York Times editorial writer Karl E. Meyer and revisionist author Robert Faurisson.

The 9/11 Chronology (series)

No narration. No interviews. No hindsight. Just the footage,audio, and news coverage that captured 9/11 as it unfolded. Through real-time footage, emergency radio, news bulletins, and raw field recordings, we experience the growing confusion and rising tension as the world starts to realise that something is deeply wrong. This series is not a traditional documentary. It is an actuality-based, real-time reconstruction — an unfiltered archive, compiled entirely from authentic sources recorded on the day itself. No commentary. No retrospective analysis. Nothing added, and nothing taken away.

The Archive Cut spans 20 episodes, tracing the entire day from the first takeoff to the final moments of collapse and chaos — moment by moment, as it was seen and heard. This project is intended as a historical and educational record, preserving the timeline and tone of the day with precision and respect. Whether you’re revisiting the events or encountering them for the first time, The 9/11 Chronology presents an immersive and sobering experience — a window into the reality of 9/11 through the eyes and ears of those who lived it.

Medicating Normal

Millions of people worldwide are physically dependent on commonly prescribed psychiatric drugs. While these drugs can provide effective short-term relief, pharmaceutical companies have hidden -from both doctors and patients- their dangerous side effects, addictive nature and long-term harm.

Combining cinema verité and investigative journalism, Medicating Normal follows the stories of those whose lives have been torn apart by the very medications they believed would help them. Expert testimony and undercover footage reveal a systemically corrupt industry.

Medicating Normal is the untold story of the disastrous consequences that can occur when profit-driven medicine intersects with human beings in distress.

The War You Don’t See

The War You Don’t See is a powerful and timely investigation into the media’s role in war, tracing the history of ’embedded’ and independent reporting from the carnage of World War One to the destruction of Hiroshima, and from the invasion of Vietnam to the current war in Afghanistan and disaster in Iraq. As weapons and propaganda become even more sophisticated, the nature of war is developing into an ‘electronic battlefield’ in which journalists play a key role, and civilians are the victims. But who is the real enemy?

Sahara (series)

Series Synopsis

For centuries colonialists have bypassed the Sahara. The largest sand desert on the planet was too hot and too impenetrable.

Now, Europe seems to have shifted its southern border to the Sahara in order to stop migration and combat terrorism. How do the inhabitants of the Sahara feel about this interference?

In Sahara, a new three episode series, Bram Vermeulen crosses the desert from west to east, from the Atlantic Ocean to the Red Sea.

He experiences the heat, the dangers of advancing jihadism, the desperation of migrants, the hidden world of slavery, uncovers human trafficking networks and he meets with locals in one of the most inhospitable places on earth.

 

Episode 1 – The Secret of Mauritania

In the far west of the Sahara lies Mauritania. Ten years ago, this country was a busy crossing for migrants from West Africa to the Canary Islands, but since the Spanish coast guard have taken up patrols, no one has gotten through.

Mauritania is one of those countries that has managed to escape the attention of the world press. A country of sand where the first cities were not built until the 1960s, but urbanisation has brought many desert customs to the city. Notorious is the habit of force-feeding young girls with camel milk and breadcrumbs dipped in olive oil, a banned custom intended to make them more attractive on the marriage market.

It turns out that there is much more happening in Mauritania that they would rather hide.

Officially, slavery was abolished in Mauritania in 1981, nearly a century after the rest of the world had banned it, but activists are still fighting every day to free tens of thousands of black Mauritanians who are owned by others. They have no rights. They do not get paid. Women who have children, often by their owners, have to give their children their owners’ last names, and the children are not entitled to an education. And the battle against slavery is hazardous for activists, lawyers and the journalists who report on it.

 

Episode 2 – Timbuktu at the Crossroads

Timbuktu was a dream destination for any traveller brave enough to cross the Sahara. Centuries ago, mythical stories were told about Timbuktu; the streets were said to be paved in gold.

In 2012 the city was taken by an alliance of Tuareg separatists and Ansar Dine Jihadists. They realised the dream of generations of Tuareg nomads: their own state, under the name of Azawad. Ancient tombs were destroyed and for nine months, Timbuktu lived under the strict sharia regime until the French army was brought in to free the city.

We meet the owner of the only bar in Timbuktu, the son of a mixed marriage between a Malian mother and a French soldier. It was this ancestry that saved his life on the day that the Jihadists took over the city. Everyone in Timbuktu has two identities. The local journalist who had to run propaganda for the occupiers to stay alive. The young women who were abused by the Jihadists, but then came back to celebrate and dance to a song that praises the ideals of their abusers.

Timbuktu it seems remains a dangerous city in the grips of an identity crisis.

 

Episode 3 – Niger: Stuck in the Middle

For centuries, the frontier desert-city of Agadez was the starting point for travellers crossing the Sahara; the hub between West Africa and the Mediterranean, but the European migration panic has had a huge impact on Agadez. Under pressure from Brussels and in receipt of substantial payments, the government of Niger has adopted a law prohibiting the transport of migrants.

The law has left over 6000 smugglers unemployed. Their cars have been confiscated, many have been arrested, and most of the migrants in Agadez have been sent back to neighbouring countries of Algeria and Libya.
Today, Agadez is an angry city. The EU had promised alternative employment, but of the 6000 candidates, only 200 jobs materialised. The former smugglers blame their own bureaucrats who charged fees to assist them in filling in forms, but then sat back and did nothing.

Some of the smugglers have moved to the goldmines in the Sahara, indescribably difficult work in the 45 degree heat, and a far cry from their lucrative former employment.

There is a volatile atmosphere in the streets of Agadez. Monday always used to be the day of departure for the smugglers. Can it be that the smugglers of Agadez have found a new way to circumvent the wishes to Europe and the blockades?

Broken Harmony: China’s Dissidents

Broken Harmony: China’s Dissidents tells the story of Hua Ze, an ordinary Chinese citizen for whom a discovery of corruption led her into a hidden world of dissidents, citizen journalism, police harassment and kidnappings.

Once a mild mannered TV director, Hua Ze discovered that an old friend reporting on alleged corruption after the Sichuan earthquake had disappeared, along with any mention of him online. Following a trail of leads over the great internet fire wall of China, she discovers not just the fate of her friend, but the truth behind Sichuan’s fatal building code violations, a jaw-dropping array of human rights abuses across China and comes to the realization that the entire internet in China is a state controlled fiction.

Hua’s awakening takes her into a new world of dissidents, journalists and human rights lawyers. As she begins her own reporting, pressure from the government is swift, and her world is turned upside down. She is forced out of her job and placed under surveillance. One by one, her new friends are arrested or detained. Phones are tapped and secretive threats and warnings are made. But Hua cannot turn a blind eye to the corruption and she pays the price.

When ordinary Chinese citizens go to extraordinary lengths to fight human rights abuses, the risks are enormous, even life-threatening. Broken Harmony reveals Hua’s courageous acts and willingness to lose everything to fight for justice and the rule of law.

The Coming War on China

The Coming War on China, from award winning journalist John Pilger, reveals what the news doesn’t – that the world’s greatest military power, the United States, and the world’s second economic power, China, both nuclear-armed, may well be on the road to war. 

Nuclear war is not only imaginable, but planned. The greatest build-up of NATO military forces since the Second World War is under way on the western borders of Russia. On the other side of the world, the rise of China is viewed in Washington as a threat to American dominance. 

To counter this, President Obama announced a ‘pivot to Asia’, which meant that almost two-thirds of all US naval forces would be transferred to Asia and the Pacific, their weapons aimed at China. A policy which has been taken up by his successor Donald Trump, who during his election campaign said “We can’t continue to allow China to rape our country and that’s what they’re doing”.

Filmed on five possible front-lines across Asia and the Pacific over two years, the story is told in chapters that connect a secret and ‘forgotten’ past to the rapacious actions of great power today and to a resistance, of which little is known in the West.

Killing the Messenger: The Deadly Cost of News

In December 2006, the UN Security Council unanimously passed landmark Resolution 1738 which demanded greater safety for journalists in conflict areas and called for an end to impunity for their killers. Since the UN resolution was passed, over 600 news media workers have been killed, while more have been imprisoned or have simply disappeared while on the job. Countless others have been intimidated into self-censorship or have gone into exile.

If no story is worth a life, then why is murder the number one cause of journalists’ deaths worldwide?

Murder is the leading cause of work related deaths for journalists as censorship increases worldwide. In addition to those who have been killed, dozens have been attacked, kidnapped, or forced into exile in connection with their coverage of crime and corruption.

Journalists reporting from Mexico, Russia and the conflict zones of Iraq, Afghanistan and Syria tell their personal stories of kidnapping, intimidation, and beatings. They’ve experienced the loss of colleagues in the field and have been close to death themselves. Their stories are heartfelt, captivating, engaging and at moments – unbelievable.

The targeting of Journalists worldwide affects anyone who believes that information and accurate reporting play a part in healthy societies.

Awards:

2015: The Edward R. Murrow Award, from The Radio Television Digital News Association, recognising excellence in electronic journalism.

2015: National Headliner Award, recognising journalistic merit in the communications industry.

Sieged: The Press Vs Denialism

As Brazil’s death toll surpasses a quarter of a million, President Jair Bolsonaro tells Brazilians to “stop whining.” Leading his country through a global pandemic with denialism, propaganda and unchecked bravado, he has brought his country to the edge of disaster.

This immersive documentary rolls back the clock to when the pandemic first started, telling the story of the frontline journalists who were desperate to warn the country of an impending public health disaster. Sieged holds up an uncanny mirror to the events in the US and the rest of the world, as Brazilians see their health ministers fired and undermined, racially motived killings proliferate, and journalists disempowered and blamed every step of the way with allegations of reporting fake news. Elsewhere we see hospitals at breaking point and other essential service workers pushed to the edge, as families lose their loved ones in droves.

This documentary takes viewers behind the scenes, into the newsrooms, behind the cameras and into the press scrums for a deeper view of the political turmoil and corruption brought to light as COVID-19 hit Brazil.

Mad As Hell

The Young Turks, one the most popular online news show in the world, has amassed a YouTube network of over 2.4 million subscribers and 2 billion views. But that wasn’t always the case.

MAD AS HELL documents the tumultuous, at times hilarious and altogether astonishing trajectory of Cenk Uygur, The Young Turks’ main host and founder, as he traverses from unknown Public Access TV host to internet sensation by way of YouTube. When he ventures into national television by landing the 6 PM time slot on MSNBC, Cenk’s uncensored brand of journalism is compromised as he becomes a thorn in the side of traditional news media; his unwavering dedication to speaking the truth puts him at the nexus of the battle between new and old media, and makes MAD AS HELL not only entertaining, but incredibly timely as well.