The Revolutionary

Sidney Rittenberg arrived in China as a GI Chinese language expert at the end of World War II. Discharged there, he joined the Chinese Communist Party, and was an active participant and eye-witness in the Chinese communist revolution and its aftermath, including the Cultural Revolution, the Great Leap Forward and The Hundred Flowers Campaign.

An intimate of the Party’s leadership, including Mao Zedong and Zhou Enlai, he gained prominence at the Broadcast Administration, one of the most important agencies of government. But in the convulsions of a giant country constantly reinventing itself, he twice ran afoul of the leadership, and served a total of 16 years in solitary confinement. He returned to the United States in 1980.

Rittenberg’s story would be just a footnote to history, except for his exceptional intellect, uncompromising honesty, and engaging personality. Over a five-year period, award-winning former-CBS journalist and China specialist, Irv Drasnin, interviewed Rittenberg to produce a compelling, complex and unique understanding of the 20th century’s biggest revolution. From Sid first meeting Mao in the caves of Yan’an, to his becoming famous and powerful during the Cultural Revolution, to his battling insanity in solitary, his journey and his profound insight illuminate a much greater history—a history few Chinese are aware of, let alone many Americans, told by an American who was there.

How Ping Pong Saved the World

How Ping-Pong Saved the World recounts the events of April 1971 when a U.S. Table Tennis team became the first Americans allowed to enter communist China in decades. Their invitation paved the way for President Nixon’s landmark visit just eight months later.

For eights days, 15 unlikely American Ping-Pong playing diplomats discovered the little known world behind the Bamboo Curtain. These unlikely diplomats were about to reshape history and in the process make a breakthrough of historic proportions and in doing so, foster the beginning of the end of the cold war.

Ping-Pong soon became a metaphor for the on-going difficult relations between the United States and China – two ideological opposites on the brink of detente. ‘Ping-Pong Diplomacy’ marked the beginning of a new relationship between the United States and the People’s Republic of China; one that over the next 40 years would evolve into the world’s most important bilateral alliance.

Occupy: The Movie

If Inside Job made 2008’s economic meltdown comprehensible, Occupy: The Movie provides a sensational sequel by focusing on the social movement that set up shop at Wall Street’s front door.

Occupy succeeded in captivating our collective consciousness and providing hope for positive change, but its visibility vanished as quickly as it appeared, leaving questions of its effectiveness in its wake. Tackling the complexity of how the movement manifested and providing cogent context to what caused its genesis, Corey Ogilvie presents a clear and compelling account of the Zuccotti Park settlement without getting lost in empty slogans, violent conflicts or proselytizing activists.

Featuring key interviews with Kalle Lasn (Adbusters), philosopher Cornel West, journalist Chris Hedges and leading organizers from the Occupy Wall Street movement, Occupy: The Movie isn’t propaganda for the cause, but an expert analysis of one of the biggest American social movements since the civil rights era.

Generation OS13: The New Culture of Resistance

Generation OS13 is an explosive insight into the attack on civil liberties occurring in western democracies and how artists, musicians, journalists and authors encourage the peoples right to resist against Banker occupation.

Examining economic dictatorships, puppet regimes, tax havens, tax dodgers, and the debt based money system the film explains why ‘you can not count on the law makers to see shit when it first happens’. For a new era, generation OS13, the repression will not be tolerated; do ‘the government really think they can win that war if the young people are like fuck this, you cant beat that you, can’t beat us, its Impossible’ – Saul Williams.

Featuring Painter, poet & song writer Billy Childish, Harry Malt from Bare Bones, Luke Turner from The Quietus, journalist Huw Nesbitt, broadcaster Max Kaiser, author Nicholas Shaxson & Artists Anika, Comanechi, Gaggle’s & Saul Williams.

“Those bailouts were absolutely required to save your civilisation, now if you talk about bail outs for everyone else you have to say to say to those people suck it in and cope buddy, suck it in and cope”

– No thanks

The Grand Experiment

There is a grand experiment underway, the birth of a new financial market, one that promises to solve society’s most complex, intractable problems. An unorthodox marriage between capitalism and charity, The Grand Experiment tracks a social innovation that has won the backing of both conservative and liberal governments, support from renowned philanthropists like the Rockefeller Foundation, and buy-in from Wall Street’s biggest investment bank, Goldman Sachs.

Social Impact Bonds (SIBs) are an investment product designed to raise private capital for social programs. Governments pay investors a return only if the programs decrease public expenditures by improving social outcomes, for example lowering the number of unemployed or prisoners. The profit paid by government to the investor is commensurate with the success of the social program.

From the halls of power to society’s struggling underclass, The Grand Experiment follows an unusual cast of characters forging previously unthinkable alliances: social workers and Wall Street bankers, the homeless and venture capitalists, conservative and liberal politicians. Over three years – in Canada, the United States and the United Kingdom – this feature film tracks their efforts to use profit motivation to solve everything from crime to addiction to homelessness.

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Sir Ronald Cohen is the creator of social impact bonds, and leader of the international SIB revolution. As chair of the newly formed G8 Taskforce on Impact Investment, he’s been charged with igniting impact investing around the globe. Credited with creating the global venture capital market, Sir Cohen believes impact investing will be a democratizing force giving equal opportunity to all.  By enticing investors with the lure of a double bottom line, he aims to bridge the gap between rich and poor.

At Melody Elementary School on Chicago’s west side, we’ll follow Kindergarten children through a school year in one of the city’s poorest neighborhoods. These students and their parents are part of a program designed to reduce the city’s special education costs. Goldman Sachs and local venture capitalists have invested $17 million in the Chicago bond.  If the children test well, they’ll make a profit, which they hope will galvanize a global impact investment market.

For head teacher Michelle Stewin, the money is a chance to keep their program alive. Poverty, unemployment, and homelessness, have stacked the cards against her students.  Will the teachers and children at Melody get the test scores they need to keep the money flowing?

In Canada, the Ontario government is looking to launch its first social impact bond. We have negotiated exclusive access to film the final selection process, as four short-listed non-profits work with finance consultants to hone their business case and pitch to investors. The finalists are attacking a wide range of confounding social problems: generational unemployment, habitual young offenders, and chronic homelessness.

In the UK, Sir Cohen’s creation is facing growing opposition.  Some labour unions and non-profits are accusing the British Cabinet Office of pursuing a privatization agenda, and opening up government coffers to society’s wealthiest individuals. In the United States, academics have questioned the metrics used to pay Goldman Sachs a maximum return on the country’s first successful SIB.

Despite the concerns surrounding SIBs, they are the fastest growing social innovation in modern history. Currently there are 53 in more than a dozen countries, including: the UK, U.S., Canada, Australia, Germany, Belgium, Netherlands, Israel, Japan, Finland, Sweden, Ireland, Italy, India and Malaysia.

In Chicago and Ontario, and through the international efforts of Sir Cohen, The Grand Experiment will document one of the most important shifts of the 21st Century. At the heart of this film is one central question: is capitalism the answer to our social problems?

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Contact us to request full treatment, more screening material, information on broadcast partners, budget, finance plan or any other matters relating to potential partnerships.

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Director: Nadine Pequeneza
Producer: Nadine Pequeneza
Distributor: Sideways Film
Country of Production: Canada
Language: English
We are looking for: Co-Pro and Pre Sales
Stage of Project: Development
Delivery Date: Dec 2017

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Key Biographies

Director – Nadine Pequeneza

Nadine Pequeneza is an award-winning Producer, Director and Writer best known for her observational films offering unique access to character-driven stories about social justice. With over 15 years international experience, she has received multiple awards including; a Canadian Screen Award for Best Writing in a Documentary Program, the American Bar Association Silver Gavel, a Gold Hugo from the Chicago International Film Festival, a Golden Sheaf from the Yorkton Film Festival, and a Gold Panda from the Sichuan TV Festival. Nadine is a 7-time Canadian Screen Award nominee in both directing and writing categories. Her work has broadcast in more than 50 countries.

As the founder of HitPlay Productions, Nadine has produced and directed the company’s feature documentaries, including: Up In Arms, Inside Disaster, and Raising Cassidy. Her most recent documentary feature, 15 to Life: Kenneth’s Story, premiered in August 2014 on the award-winning PBS series POV. She is currently in production on a film about the legalization of physician assisted dying in Canada for CBC.

Editor – Ricardo Acosta

Ricardo immigrated to Canada from his native Cuba in 1993. He is a Sundance alumni and has edited award-winning documentaries for the past 20 years, including: Sembene! premiered at Sundance and screened at Cannes in 2015.
Marmato won Best Editor in a Documentary from the Canadian Cinema Editor Awards. Herman’s House premiered at the Hot Docs Canadian International Documentary Festival and won an Emmy for best Political Arts documentary.

The Take directed by Naomi Klein and Avi Lewis, official selection at the Venice Film Festival and winner of the Canada Screen Award for Best Picture Editing.

Cinematographer – Stan Barua

Stan Barua’s work has attracted accolades and awards on five continents. Born in Poland where he earned his MA in Cinematography from the National Film School in Lodz, he also lived and worked in Kenya before moving to Canada in 1998.
Baba’s House Best Cinematography Award, Yorkton Short Film Festival; Eastman Kodak Cinematography Award, Houston International Film Festival; Best Canadian Short Drama Award, Atlantic Film Festival.

Rain Best Atlantic Canada Short Film Award, Atlantic Film Festival. Forgotten Places Best Cinematography Award, Warsaw Terra Film Festival.

Driverless

Over 40,000 people will die from car crashes in the U.S this year; the leading cause of death for young people.

The driverless car’s arrival promises to save many of these lives by eliminating human error, but how will the introduction of such a revolutionary technology shape our cities and influence our behaviour?

From the fascinating history of America’s embrace of the automobile to a present grassroots movement against them, Driverless is a documentary that seeks to look beyond the engineering marvel and ask, in what kind of world do we want to live and are we driving down a road that will get us there?

Rise of the Sex Robots

Advances in computer science and engineering have lifted animatronic lovers from the realms of science fiction to reality with the first models due to go on sale by the end of the year.

We meet the men who are making the sex robots, the customers who want to buy them – and the critics who say they are dangerous.

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Contact us to request full treatment, budget, schedule, budget, finance plan or any other matters relating to potential partnerships.

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Director: Tom Silverstone
Writer / Presenter: Jenny Kleeman
Executive Producer: Charlie Philips
Executive Producer: Kazz Basma
Distributor: Sideways Film
Country of Production: UK
Language: English
We are looking for: Co-Pro and Pre Sales
Stage of Project: Early Development
Delivery Date: TBA

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Key Biographies

Director – Tom Silverstone

Tom Silverstone is a London and New York based filmmaker currently working for the Guardian, making short films across current affairs, tech and culture. You can see his portfolio at www.tomsilverstone.com

Writer / Presenter – Jenny Kleeman

Jenny Kleeman is an award-winning journalist who travels the world telling thought-provoking stories you won’t have heard from anyone else.

On TV, she’s reported for BBC One’s Panorama and The One Show and Channel 4’s Dispatches, as well as making 13 films from across the globe for Unreported World, Channel 4’s critically acclaimed foreign affairs documentary strand. She’s a regular commentator on Sky News’s nightly Press Preview.

Executive Producer – Charlie Philips

Charlie Phillips is the Head of Documentaries at The Guardian, commissioning and acquiring new short documentaries from all around the world. He was previously Deputy Director at Sheffield Doc/Fest and Editor of FourDocs for Channel 4.

Executive Producer – Kazz Basma

Kazz Basma set up Sideways Film in 2010 to distribute social justice and dramatic narrative documentaries. He has licensed films to broadcasters, all rights buyers, the education market and online on every continent and have been screened at prestigious festivals worldwide including Sundance, Tribeca, IDFA, Hot Docs and Sheffield Doc Fest. He attends at least twelve documentary festivals each year where he is regularly invited to speak on panels and at round-tables, serves as a guest lecturer at the London College of Communication and is an invited expert at EAVE (the European Audio Visual Entrepreneurs network).