Tag Archives: israel

Rebel Rabbis: The Anti-Zionist Jews Against Israel

We embed with the London branch of the Neturei Karta, a group of controversial Ultra Orthodox Jews who campaign against Zionism and for the immediate dismantling of the state of Israel.

Because of their unusual views, and support of people like ex-Iranian president Ahmadinejad and groups like the Hungarian far right Jobbik party, other Jewish people often label them as extremists.

Reporter Milène Larsson goes behind the closed doors of this secretive community to understand why this Jewish group’s anti-Israel sentiment has led them to join Palestinians protesting Israeli occupation and burn Israeli flags.

The Encampments

The occupation of Columbia University by pro-Palestinian students made waves around the world.

A group of students set up camp on the lawn of Columbia University in New York, and founded the Gaza Solidarity Encampment to protest the war in Gaza, and to protest their own university’s investment in the US and Israeli arms industry. An action that made waves around the world and quickly grew into the largest protest movement since the Vietnam War. But the world has changed.

The Encampments is a film about power and resistance in the 21st century, where both have taken on new forms, while the role of universities as bastions of democracy, critical thinking and freedom of expression is under threat.

We are plunged into the high-stakes drama with full access to the hard core of dedicated organizers led by Mahmoud Khalil as they face fierce resistance from the police, the media and their own fellow students.

 

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An urgent protest film that carries the same conviction and resolve of the students who organized these demonstrations last spring.

At only 80 minutes, The Encampments tells a fascinating, ripped-from-the-headlines story.. As a snapshot of a particular few weeks in which a protest movement was born and spread, it’s an effective and prescient documentary. Eerily, in one of the last shots in which Khalil is shown, he’s asked by an off-camera voice, “What would happen to you if you were deported?” to which he responds, “I will live.”

The Encampments shows that same determination and confidence from other young people who carry the responsibility of attempting change.

Variety

 

It’s a stark and powerful reminder of what the protesters are actually protesting.

The Washington Post

 

The Encampments chronicles how students at Columbia ignited a far-reaching and influential solidarity movement last spring… it takes a harrowing turn once the filmmakers observe university responses to the student occupations spreading across campuses.

The Encampments not just critical in capturing the real-time makings of a movement, but in laying bare the consequences of this response.

The Hollywood Reporter

 

The Encampments is a very conventional documentary on purpose. It mounts its argument with little flare and with muted aestheticization, all to dispel the hysteria surrounding its subject… it is already making an appeal to posterity.

The New Yorker

 

This rousing documentary explores the impact of and responses to student solidarity with Palestine without getting caught up in polemics… Stirring and tense.

Sight and Sound

Escape From Room 18

John Daly, an ex-neo-Nazi skinhead, fled to Israel after his own gang attempted to murder him for being Jewish. Years later he receives an e-mail from someone in his long forgotten past.

Kevin Connell, a former friend and fellow ex-neo-Nazi is on a mission to change his own life and make amends for his past. He invites John to meet him in Eastern Europe to discover first hand the effects of what they both practiced and preached.

Suffering from PTSD and a brain tumor John is reluctant at first. Is this another attempt on his life? Or is this actually a man trying to better himself and make amends for the pain he caused so many people so many years ago?

Code of Silence

Code of Silence follows the parallel journeys of a fervently Orthodox Jewish father and his now-secular son, after the son Manny breaks the code of silence in Melbourne’s Orthodox community and goes public with his story of being sexually abused as a school student.

Manny Waks claims he was abused by an Orthodox Jewish security guard, who also taught boys karate, at the Yeshivah Centre in Melbourne. Now Manny is demanding his abuser be brought to justice, and the rabbis and Chabad leaders who tried to cover it up, are brought to account.

His father Zephaniah joins forces with his son, but soon finds he has been virtually excommunicated for breaking an ancient Jewish law forbidding Jews from informing secular authorities about other Jews.

We see how father and son split this tightly-knit, powerful Jewish community as we open the door into their insular world of study and duty, charity and faith, power and piety.

Will Manny get justice in court? Will the rabbis be held to account? And, what price will the father and son pay for blowing the whistle?

 

Code of Silence from Sideways Film on Vimeo.

Breaking the Silence

Breaking the Silence follows the journey of Manny Waks who was, until recently, the only survivor of child sexual abuse within Melbourne’s Orthodox Jewish community to speak publicly.

This is the dramatic follow up to the Walkley Award winning Code of Silence. 

Breaking the Silence begins with Manny Waks as he gives evidence at the Royal Commission into Institutional Responses to Child Sex Abuse, during which two ultra-Orthodox Jewish institutions are accused of covering-up and protecting perpetrators in the 1980s and 90s. 

Over two explosive weeks inside Melbourne’s County Court, viewers will witness, for the first time, those rabbis and officials accused of the cover-ups take the stand and be grilled. For the first time, it is also revealed that Manny was not the only member of the family who was abused; Manny’s father Zephaniah Waks reveals two other sons were abused by a Yeshivah Centre teacher, David Kramer in the 1990’s. He had tried to have the abuse handled by community leaders but was subject to an ancient code of silence that forbids Jews from speaking about the allegations involving other Jews, to the police.

The result was that Zephaniah and his wife were virtually excommunicated and feeling isolated, they decided to relocate to Israel. Now his other son Yanky agrees to speak on camera for the first time.

After the hearings, Manny travels to the United States to confront one of the two men who he claims abused him. The film’s climax follows Manny to Los Angeles, where he meets a convicted pedophile who was given a suspended sentence for abusing AVB in Sydney in the 1980s. It’s a powerful moment between victim and abuser that delivers an unexpected conclusion.

Will Manny’s confrontation with the man he claims abused him give him peace of mind? And will his meeting with the convicted pedophile give him a crucial sense of resolution?

Breaking the Silence from Sideways Film on Vimeo.

Reportage (series)

Blood Tusks

A hundred elephants die every day in Africa killed by poachers, members of the militia or of terrorist organizations like Al Shabab. Their tusks sell for €600 per kilo, and an emerging middle class in China demands ivory as symbol of their new wealth status and International criminal gangs are there to cater to them. The tusks of these poor animals are pulled out while they´re still alive because they´re more valuable that way, and most of those apprehended do not even face a fine. Experts from the UN, ecologist organizations and Interpol warn that Elephants face extinction. In this episode we investigate this brutal industry meeting with every link in the chain from the poachers and sellers to the environmentalist and law enforcement.

War Lords

Somalia has the perfect ecosystem for endless war: European mercenaries, pirates, Al Qaeda jihadists, weapon smugglers, drought and hunger. We enter an absurd, anarchic reality where warlords will switch allegiances to gain security and stability, again to make profit and perhaps again for religious conviction. We meet with one of ‘good’ warlords whose troop of mercenaries are working for the local government for now. His militia was the only one that could win the Islamists from Al Shabab, but in Somalia, loyalty is with the clan and not with the State. We venture into one of the refugee camps for the internally displaced, the result of an exodus that has displaced almost two million Somalis. With the highest child mortality rate in the world – Islamists prohibited vaccinations as they considered them part of a Western conspiracy – to add to their troubles, alongside war, hunger, disease and the threat of kidnap – Somalia can be considered the most dangerous country in the world.

Honduras: The Mara´s Life   

Nineteen people are murdered every day in Honduras, the most violent country without a war in the world. Sistiaga experiences the daily horror of life on the streets in the cities of Honduras. Within three days of arriving he has already witnessed 12 murders: taxi drivers, engineers, drug dealers, gangsters. Killing is not the means but the goal itself, and brutality prevails – beheadings and dismemberment no longer make headlines. Young gangsters will kill each other for a corner to sell their drugs. The Maras control whole neighbourhoods in Honduras, drug dealers impose their law and the police are infiltrated and corrupted.

Holy Land

Half a million Israeli settlers live within the Palestinian territories forming the main barrier to a two-state solution. They do not see themselves as colonists or invaders, but rather pioneers. Some see themselves as the vanguard that will welcome the arrival of the Messiahs to the lands of Abraham, and others consider themselves a barrier against Islamic extremism. Many however, live in the colonies because the houses are cheaper. Living at the ground zero of our ages defining conflict however takes its toll as we see both sides locked in every day conflict and mutual mistrust that permeates every waking minute, and is the prism through which their identity is defined. We travel to this committed and obstinate world, a community suspicious of foreigners and the International press, and that welcomes isolation. They are convinced that anti Semitism govern the world, and that this land was promised to them. We travel to the Holy Land.

No Country for Women

It’s one of the biggest economies in the world and one of the most powerful members of the G-20 club. But India is not a country for women. Every hour a woman is killed. Mothers will abort when they know the gender of the baby, and many women in India will suffer every kind of humiliation and violence. Some will be sold as sex slaves before they are 12 years old, others will be force to marry as soon as they have their first period. More will suffer beatings or will be raped by gangs without consequence, or burnt with acid by their own husbands following brutal cultural traditions. We travel to the most savage and archaic India. The one you can´t find on the touristic guides or at G-20 meetings.

Hunting Homosexuals

Uganda is a Paradise for European tourists, one of the most Christian countries in Africa and the most homophobic country on the continent. The Parliament debates the Anti Homosexuality Law, also known as the ‘Killing Gay Law’. ‘They are very dangerous, they can finish Humanity’ This is how reverend Simon Lokodo – Minister of Ethics and Integrity – speaks about gays in a deeply Christian country, one of 80 countries in the world where being homosexual is a crime. They contemplate the death penalty for what they call ‘grave homosexuality’ or life sentence for the couples that dare to get married. There have been already assassinations of activists, beatings, intimidation and persecution. This episode uncovers the messianic arguments of the leaders that spread hate, and we give voice to the few gay activists that dare to face them.

Riding the Beast

The Beast is the train running through Mexico that everyday carries Central American migrants who dream of a better life in the United States. The reality is that on this most dangerous of journeys, the threat of kidnap, rape, violence and murder is constant as carrying their worldly belongings makes them an obvious target for gangs. Catastrophic accidents causing amputation and death are commonplace giving ‘the beast’ a second nickname, the ‘migrant mincer’. 20,000 people a year are kidnapped, a further 5,000 ‘missing’ and the route is strewn with shallow graves. In this episode we ride ‘the beast’ and experience the hardships of those who risk everything on its back. We meet with migrants searching for a better life, victims of its brutality and the support industry of kitchens, guides and markets that have grown alongside this arduous track.

Albino: A Story of Fear and Prejudice

In Tanzania, albino´s are feared and hated as many believe they are cursed and bring bad luck. As a result of these terrible superstitions they have become victims of mutilation and murder. To be born as an albino in certain places in Africa continues to be the worst sentence. Black magic rituals use their organs and witch doctors will pay high fees for their limbs. In this episode we meet with the victims of this heartbreaking reality and those who are trying to end these barbaric traditions.

Walking on Bombs

Afghanistan is full of landmines, which emerged as the most lethal weapon used against North American military forces and their allies. We travel to the south of the country – the most dangerous zone – to enter the world of bomb disposal officers; men and women that walk on bombs. None of them match the stereotype seen in The Hurt Locker and none of them are adrenalin junkies.  In their own words, this is the quickest way of getting killed in Afghanistan. War is over but the bombs remain. Every day, at least one Afghan is killed or mutilated.

How to Organise a Genocide

Rwanda is a country full of murderers, a fact evidenced by the million people who were killed with machetes over 3 months during the Rwandan genocide. We return twenty years on when many of the killers are starting to be released from prison and return to their homes and villages, and live amongst their victims; those who survived the slaughter hiding in swamps. We meet with both the victims and the perpetrators of a genocide, living side by side, which has not been forgotten..

At Hell´s Gate

In this episode we visit Kawah Ijen´s active volcano in Indonesia to investigate the labour conditions that miners bear everyday in extracting its sulphur. In the mouth of the volcano labourers carry upon their backs over 70 kilos of sulphur blocks, double their own weight. We follow the trail of these men –  suffering the worlds worse working conditions – in to ‘the gates of hell’. A strong smell of rotten eggs impregnate everything, the eyes gets irritated, the sulphur makes breathing difficult, the throat burns… This is one of the most toxic places on earth. Few make it past fifty years of age and their bodies are deformed form the heavy loads, for which they are paid €0.01 a kilo or at most €3 a day.                

J Street: The Art of the Possible

J Street is on the frontlines of the world’s most “intractable” problem. An upstart lobby group in Washington, D.C., J Street dares to assert what to many seems obvious: that a two-state solution is Israel’s only future, and any peace deal will require robust American participation. It sees itself playing David to AIPAC, the Israel Lobby’s Goliath, and, less than five years old, has been making surprising gains.

With full access to the inside workings of a lobby group struggling to represent the centre ground of Jewish American thought, this documentary tracks J Street as it attempts to change what it means to be pro-Israel in America. We see their missteps and their triumphs as they push the Obama administration to take an active role in negotiating a two-state solution, fend off accusations of harbouring ‘anti-Israel’ objectives and gain influence among America’s Jewish population.

In this urgent political story told with the intimacy of cinema vérité, we feel the pulse of an organization, taking viewers to high-level strategy meetings, and long nights on the road. It is here that our characters come to life and the J Street story unfolds. J Street: The Art of the Possible is at once a gripping story about the desperate need for a two-state solution, and a captivating glimpse at the role of Lobbyists in the American political process.

Tears of Gaza

Disturbing, powerful and emotionally devastating, Tears of Gaza is less a conventional documentary than a brutal record – presented with minimal gloss – of the bombing of Gaza by the Israeli military. Almost purely observational, this powerful film by director Vibeke Løkkeberg focuses on the impact of the attacks on the civilian population.

Photographed by several Palestinian cameramen both during and after the offensive, the film shuttles between the actual bombings and the horrific aftermath on the streets and in the hospitals. Løkkeberg contrasts these graphic scenes with footage of bachelor parties, weddings and visits to the beach – social activities that epitomize daily life in Gaza during more peaceful times.

Tears of Gaza makes no overriding speeches or analyses. The situation leading up to the incursion is never mentioned. Indeed, as one reviewer noted, this film ‘doesn’t take sides as much as obliterates politics’ and demands that we examine the costs of war on a civilian populace. The result is horrifying, gut-wrenching and unforgettable.

“Few antiwar films register with the disturbing immediacy and visceral terror of Tears of Gaza.”
John Andersen, Variety

“Perhaps the ultimate anti-war film. A compelling film about war.”
Kirk Honeycutt, The Hollywood Reporter

“NYT CRITICS PICK: A brutally uncompromising blast of outrage.. Using extraordinary footage (Tears of Gaza) spotlights the extreme deprivation of life under a blockade and the physical and psychological wounds of war.. a tapestry of human misery impossible to shake off”
Jeannette Catsoulis, New York Times

“Tears of Gaza documents air-delivered incendiary weapons and unimaginable violence.. identification with these people is not difficult”
Chris Packham, The Village Voice

Parallel Worlds

As the world prays for a breakthrough at the latest round of Middle-East peace talks, a film that shows the conflict from the inside, and why the talks will fail.

Filmed during the 2009 Gaza War, three conflicted, Jewish-Israelis, navigate toward their differing visions of Israel’s future: and thereby the future of the conflict itself.

The Teacher: Erez, an ideological settler, founded two of the largest youth movements in Israel – he plans to train a generation of hyper-nationalist, pro-military leaders to shape Israeli society in the decades to come.

The Peace Activist: Mihal runs a Jewish/Arab peace group planning to bridge the ethnic divide when at it’s most pronounced – Israeli Independence Day. To Israel’s Jews a day of great celebration but to Palestinians known simply, as The Nakba: The Catastrophe. The group must hold together as the war rages on and find a way to accept each other’s frank confessions of mutual suspicion and a thirst for revenge.

The Photographer: At 23 years old, Mor finds herself straddling the fault lines of Israeli society. Recently atheist but raised religious orthodox and ultra-nationalistic, her love for Israel is all that’s left of her traditional upbringing, but as she begins to see what life can be like for Israel’s Arab population, her faith is tested once again.

Instead of the endlessly rehearsed contestable facts, this film focuses on the atmosphere in which they are created. From mortars raining down in Southern Israel to the collision of pro and anti-war marches in Tel Aviv, this is the story of five months in the life of the Arab/Israeli conflict as seen from the streets. And the lives of three unique individuals reacting to the history unfolding around: of lives lived in exceptional conditions, and the beliefs that crystallise under the intense pressure of life at the centre of our geo-political world.

Jeremy Hardy Vs The Israeli Army

When comedian Jeremy Hardy is asked to visit Palestine and do his bit to solve the world’s longest running conflict, facing the world’s fourth biggest military power is not his idea of a holiday. On the other hand, neither is travelling to Florida to spend Easter with his in-laws. What he doesn’t know , as he arrives in Tel-Aviv a week later, is that he will become one of the most unlikely witnesses to a horrific yet seminal moment in the struggle of the Palestinian people.

Disastrously unprepared, Jeremy suddenly finds himself dodging bullets and running for cover as the realities of life under occupation begin to emerge, and it’s no laughing matter. As the danger mounts and the rubber bullets are exchanged for live ammunition, the courage and determination of those who risk everything to help the Palestinian people is tested, and for the first time, the terrifying life of a human shield is captured on film.

Jeremy Hardy Vs The Israeli Army is a quirky, moving story about the courage and resolve of those who pack their bags for Palestine to stand in the way of tanks and bring an end to the occupation.

The Grand Experiment

There is a grand experiment underway, the birth of a new financial market, one that promises to solve society’s most complex, intractable problems. An unorthodox marriage between capitalism and charity, The Grand Experiment tracks a social innovation that has won the backing of both conservative and liberal governments, support from renowned philanthropists like the Rockefeller Foundation, and buy-in from Wall Street’s biggest investment bank, Goldman Sachs.

Social Impact Bonds (SIBs) are an investment product designed to raise private capital for social programs. Governments pay investors a return only if the programs decrease public expenditures by improving social outcomes, for example lowering the number of unemployed or prisoners. The profit paid by government to the investor is commensurate with the success of the social program.

From the halls of power to society’s struggling underclass, The Grand Experiment follows an unusual cast of characters forging previously unthinkable alliances: social workers and Wall Street bankers, the homeless and venture capitalists, conservative and liberal politicians. Over three years – in Canada, the United States and the United Kingdom – this feature film tracks their efforts to use profit motivation to solve everything from crime to addiction to homelessness.

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Sir Ronald Cohen is the creator of social impact bonds, and leader of the international SIB revolution. As chair of the newly formed G8 Taskforce on Impact Investment, he’s been charged with igniting impact investing around the globe. Credited with creating the global venture capital market, Sir Cohen believes impact investing will be a democratizing force giving equal opportunity to all.  By enticing investors with the lure of a double bottom line, he aims to bridge the gap between rich and poor.

At Melody Elementary School on Chicago’s west side, we’ll follow Kindergarten children through a school year in one of the city’s poorest neighborhoods. These students and their parents are part of a program designed to reduce the city’s special education costs. Goldman Sachs and local venture capitalists have invested $17 million in the Chicago bond.  If the children test well, they’ll make a profit, which they hope will galvanize a global impact investment market.

For head teacher Michelle Stewin, the money is a chance to keep their program alive. Poverty, unemployment, and homelessness, have stacked the cards against her students.  Will the teachers and children at Melody get the test scores they need to keep the money flowing?

In Canada, the Ontario government is looking to launch its first social impact bond. We have negotiated exclusive access to film the final selection process, as four short-listed non-profits work with finance consultants to hone their business case and pitch to investors. The finalists are attacking a wide range of confounding social problems: generational unemployment, habitual young offenders, and chronic homelessness.

In the UK, Sir Cohen’s creation is facing growing opposition.  Some labour unions and non-profits are accusing the British Cabinet Office of pursuing a privatization agenda, and opening up government coffers to society’s wealthiest individuals. In the United States, academics have questioned the metrics used to pay Goldman Sachs a maximum return on the country’s first successful SIB.

Despite the concerns surrounding SIBs, they are the fastest growing social innovation in modern history. Currently there are 53 in more than a dozen countries, including: the UK, U.S., Canada, Australia, Germany, Belgium, Netherlands, Israel, Japan, Finland, Sweden, Ireland, Italy, India and Malaysia.

In Chicago and Ontario, and through the international efforts of Sir Cohen, The Grand Experiment will document one of the most important shifts of the 21st Century. At the heart of this film is one central question: is capitalism the answer to our social problems?

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Contact us to request full treatment, more screening material, information on broadcast partners, budget, finance plan or any other matters relating to potential partnerships.

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Director: Nadine Pequeneza
Producer: Nadine Pequeneza
Distributor: Sideways Film
Country of Production: Canada
Language: English
We are looking for: Co-Pro and Pre Sales
Stage of Project: Development
Delivery Date: Dec 2017

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Key Biographies

Director – Nadine Pequeneza

Nadine Pequeneza is an award-winning Producer, Director and Writer best known for her observational films offering unique access to character-driven stories about social justice. With over 15 years international experience, she has received multiple awards including; a Canadian Screen Award for Best Writing in a Documentary Program, the American Bar Association Silver Gavel, a Gold Hugo from the Chicago International Film Festival, a Golden Sheaf from the Yorkton Film Festival, and a Gold Panda from the Sichuan TV Festival. Nadine is a 7-time Canadian Screen Award nominee in both directing and writing categories. Her work has broadcast in more than 50 countries.

As the founder of HitPlay Productions, Nadine has produced and directed the company’s feature documentaries, including: Up In Arms, Inside Disaster, and Raising Cassidy. Her most recent documentary feature, 15 to Life: Kenneth’s Story, premiered in August 2014 on the award-winning PBS series POV. She is currently in production on a film about the legalization of physician assisted dying in Canada for CBC.

Editor – Ricardo Acosta

Ricardo immigrated to Canada from his native Cuba in 1993. He is a Sundance alumni and has edited award-winning documentaries for the past 20 years, including: Sembene! premiered at Sundance and screened at Cannes in 2015.
Marmato won Best Editor in a Documentary from the Canadian Cinema Editor Awards. Herman’s House premiered at the Hot Docs Canadian International Documentary Festival and won an Emmy for best Political Arts documentary.

The Take directed by Naomi Klein and Avi Lewis, official selection at the Venice Film Festival and winner of the Canada Screen Award for Best Picture Editing.

Cinematographer – Stan Barua

Stan Barua’s work has attracted accolades and awards on five continents. Born in Poland where he earned his MA in Cinematography from the National Film School in Lodz, he also lived and worked in Kenya before moving to Canada in 1998.
Baba’s House Best Cinematography Award, Yorkton Short Film Festival; Eastman Kodak Cinematography Award, Houston International Film Festival; Best Canadian Short Drama Award, Atlantic Film Festival.

Rain Best Atlantic Canada Short Film Award, Atlantic Film Festival. Forgotten Places Best Cinematography Award, Warsaw Terra Film Festival.