Tag Archives: America

Burzynski: Cancer Cure Cover Up

Burzynski: The Cancer Cure Cover-up is the story of a pioneering biochemist who discovered a unique and proprietary method of successfully treating most cancers. This documentary takes the audience on a near 50-year journey both Dr. Burzynski and his patients have been enduring in order to obtain FDA-approved clinical trials of Antineoplastons. Defying the face of skepticism, legal attacks from state and federal agencies, and a powerful propaganda campaign to stop Burzynski – this doctor and his patients are still going strong.

Due to the continued failed efforts of state and federal agencies in their attempts to stop Burzynski from continuing to treat patients and expand his research, special interest groups have since launched a relentless propaganda campaign against Dr. Burzynski, and his supporters and patients, in hopes  that this game-changing innovation never reach the open market.

The primary reason that the cancer industry and its regulatory agencies fear the approval of Antineoplastons is purely economical.

If Antineoplastons were FDA-approved for just one cancer type this would mean that anyone of any age diagnosed with any type of cancer could legally insist their oncologist provide them with Antineoplastons “off-label”.   Given the gentle and nontoxic nature of these medications, most people would begin to opt for Antineoplastons as a first line of defense against their cancer instead of first choosing life-threatening yet profitable chemotherapy and radiation.

Burzynski: The Cancer Cure Cover-up investigates this hidden cancer treatment and the decades of failed lawsuits the US government and FDA have pursued in order to try to silence him.

No Limits

Shot over 25 years, No Limits is a ‘7 Up’ inspired long form narrative documentary that follows the lives of our disabled protagonists – Thalidomide victims – over the course of decades, and reveals how changes in societies attitudes to disability have affected them.

It is also a scathing investigation into the crime of the century, as a new generation of Thalidomide babies are born in Brazil, decades after it was banned across most of the western world and its harmful effects publicised. Academy Award winning director John Zaritsky joins activists in Germany, Canada and the UK as they plot to reveal a sinister and long hidden complicity by the Thalidomide manufacturer, their Nazi background and a quest for justice for all.

Victor’s Last Class

At the age of 52 and suffering from terrible chronic back pain, Victor D’Altorio decided to end his life.

Victor was a proud homosexual, a lover of life, honest, and outrageous. As an acting teacher of the Meisner technique for 20 years, he was committed to living in the moment, and accepting all that that had to offer, however painful it may be. But after fighting bone marrow cancer into remission he found himself with debilitating degenerative disc disorder in his neck and back, and he could not deny the pain that he was in or the dim prospects of relief. His personal commitment to truth and honesty made him despise the idea of suicide in the traditional sense. He simply could not cause that pain to the ones he loved. He decided to tell everyone (via his blog) that he was going to kill himself. This is the starting point for our story.

Over the next five months together we see Vic soaking in the tub in pain, making sex jokes, yelling at the cameraman, crying over his deceased partner, teaching eager new students, wavering on the big choice, and bonding with Brendan, the film maker. During this time, Brendan’s mission changes. He stops being simply the filmmaker asking why, and becomes a close friend trying to change Victor’s mind. Brendan puts together an acting class for Victor to teach to remind him of the life he once loved living, he teams with other students to produce the play that Victor had written, he does all he can to convince his new friend and mentor to stick around.

Finding Fidel

Finding Fidel tells the remarkable story of war cameraman Erik Durschmied, who in 1958 journeyed to Cuba’s Sierra Maestra mountains to interview a little-known rebel leader named Fidel Castro. A month later, Castro’s band of fighters rolled into Havana, and the world would never be the same.

Intercutting Durschmeid’s reflections on the lost promise of Castro’s Revolution with his rarely seen interview with the young Fidel, award winning filmmaker Bay Weyman explores the hinge of fate, the vagaries of history, and the power of media in both men’s lives.

Durschmied spent weeks in Castro’s guerrilla headquarters, filming fascinating scenes of camp life with the rebels, and conducting the only known English-language interview with Fidel from the period just before he came to power. The interview is a unique time capsule, vividly depicting Castro’s early views, his struggle against the dictator Batista, and his goals for the Revolution.

“There is no Communism or Marxism in our idea,” Fidel insists. “Our political philosophy is representative democracy and social justice in a well-planned economy.”

Finding Fidel follows Durschmied as he returns to Cuba on the 50th Anniversary of the Revolution, retracing his original route to the mountains. Durschmied tells the true story behind his interviews with Fidel, and of the future dictator’s consummate use of the media to control his message and create his image. The daring young cameraman brought Castro’s message to the world just as Havana fell, and as a result his career took off.

Though he has witnessed many of the major events of our times, for Durschmied the interview on a mountaintop in Cuba remains the most meaningful. As he returns to Castro’s camp in the Sierra Maestra, he finds an unexpected touchstone that marks the beginning and end of the journey.

Princes of the Yen

Princes of the Yen reveals how post-war Japanese society was transformed to suit the agenda of powerful interest groups, and how citizens were kept entirely in the dark about this. History is now repeating itself around the world.

Based on a book by Professor Richard Werner, a visiting researcher at the Bank of Japan during the 90s crash, during which the stock market dropped by 80% and house prices by up to 84%. The film uncovers how the Bank of Japan pumped up and then crashed the Japanese economy, with an aim of inducing change. Today, what happened in Japan 25 years ago is repeating itself in Europe, with an aim of centralizing power in the Eurozone.

The film shows why it is important for central banks to be accountable and transparent. It also explains how International Financial Organizations such as the IMF seek to impose conditions on countries that are mainly of benefit to dominant Western interests. For anyone interested in understanding recent developments and the significance of the establishment of institutions such as the AIIB and the BRICS led New Development Bank, Princes of the Yen provides the background.

Princes of the Yen reveals with clarity the control levers that underpin the dominant ideology of the 21st Century. Piece by piece, reality is deconstructed to reveal the world as it is, not as those in power would like us to believe that it is.

“Because only power that is hidden is power that endures.”

Inside Her Sex

Inside Her Sex is a thought-provoking documentary that explores female sexuality and shame through the eyes and experiences of three women from different walks of life, each brave enough to chart her own course of sexual discovery.

While we live in a highly sexualized society, the messaging around sexuality, particularly female sexuality, is distorted and rife with shame. What we should look like, who we should want, what we should desire…in fact, who we should be, is dictated to us from screens and pages and people. As if there is one correct answer.

Stepping outside the common narrative is never straightforward. Exposing our deeper selves can be terrifying, even risky.

Candice, Elle, and Samantha have little in common. Not their age, not their hometowns, not their family circumstances. But they are all women. They are all sexual. And be it through circumstance or happenstance, they have each faced their sexual selves head on, and chosen to step outside the bounds of what society has dictated they should be, raising some interesting questions:

What happens if we are able to tap into our innate sexuality? To push beyond the bounds of societal structure and expectation? To stand up to powerful messaging and divert from the prescribed course?

Why I’m Not On Facebook

One man’s soul searching decision on whether or not he should join Facebook sets him off on an epic journey of self-discovery as he weighs the pros and cons of becoming a member of the world’s largest social network.

From long lost high school friends who use it to stay in touch with classmates, to the pick-up artist who trolls the site to score with women, to the criminal who tracks your every movement to know when to rob your house, the best and worst of Facebook is on display. We meet couples bought together using the site, and those driven apart, people who are addicted to its charms and even the Winklevoss twins, the co-creators of Facebook.

Blending interviews with news clips, TV shows and other archival footage, Brant Pindivic documents his search for the meaning of Facebook with a storytelling style that is both personal and endearing, throwing up surprises through out his journey.

The deeper he explores the social network’s vice like grip on those who use it the more he realizes the answers to its popularity lie within.   Whether you’re a fan of Facebook or not, this is one film that is funny, fascinating and a must for anyone wondering what everyone is talking about.

Private Violence

Private Violence explores a simple, but deeply disturbing fact of life: the most dangerous place for a woman is her own home. Every day in the US, at least four women are murdered by abusive (and often, ex) partners. The knee-jerk response is to ask: ‘why doesn’t she just leave?’.

Private Violence shatters the brutality of this logic. Through the eyes of two survivors – Deanna Walters, a mother who seeks justice for the crimes committed against her at the hands of her estranged husband, and Kit Gruelle, an advocate who seeks justice for all women – we bear witness to the complicated and complex realities of intimate partner violence. Their experiences challenge entrenched and misleading assumptions, providing a lens into a world that is largely invisible; a world we have locked behind closed doors with our silence, our laws, and our lack of understanding. Kit’s work immerses us in the lives of several other women as they attempt to leave their abusers, setting them on a collision course with institutions that continuously and systematically fail them, often blaming victims for the violence they hope to flee. The same society that encourages women to seek true love shows them no mercy when that love turns dangerous. As Deanna transforms from victim to survivor, Private Violence begins to shape powerful, new questions that hold the potential to change our society: ‘Why does he abuse?’, ‘Why do we turn away?’ and ‘How do we begin to build a future without domestic violence?’

“The obstacles against effectively protecting battered women and prosecuting their abusers are vividly illustrated in ‘Private Violence’.. This potent documentary is a natural for public broadcast tube slots” Variety, Dennis Harvey

“‘Private Violence’, a documentary on Monday night on HBO, shows with shocking clarity that the worst of such cases rarely involve just a single punch, and that the problem is far more entrenched than a trending-on-Twitter moment makes it seem.” New York Times, Neil Genzlinger

“Hill managed powerful and intimate access to women who suffered with the realities.” Huffington Post, Rob Feld

“Domestic violence is a door marked ‘Do Not Open’, and here is Private Violence, opening it, and saying, ‘Step inside, have a look.'” Vulture, Matt Zoller

“Private Violence does not, as some social-issue documentaries do, continuously slam us in the face with these statistics. Instead, the film takes us inside, takes us behind closed doors, to come face-to-face with victims, families, and advocates” Bitch Flicks, Leigh Kolb

“Private Violence, an HBO documentary that follows the stories of several domestic violence survivors, is challenging the stigmas and stereotypes that surround the topic of domestic violence and, through intimate and often disturbing storytelling, details the intricacies of an issue that most people don’t fully understand.” Popsugar, Hilary White

Freedom From Choice

Life is about choice. What we eat, what we read, who we elect; every day we make choices that determine how we want to live.

But what if these choices are just an illusion?

In an era where regulations and red tape rule every industry, where lobby groups and big business wield more influence than ever before, our daily choices have become increasingly limited. And with all our options so deliberately handpicked, are we really making a choice at all?

Freedom From Choice examines the current state of life and personal choice today. Experts from many different fields offer a frank and startling look at the hidden limitations in our daily lives. Focusing on key areas such as food, medicine, finance, and media, Freedom From Choice provides viewers with a glimpse at the myriad of ways their lives are being dictated, and tells us who stands to gain.

Guardians of the New World

Until recently, many of us thought we were safe online and that the Internet provided a safe haven to share ideas and democratise information with the security of privacy. But then headlines emerged with stories of Wikileaks, Snowden and the NSA.

Guardians of the New World introduces us to the world of hacker culture. Emerging from the 70’s counterculture around conceptions of personal freedom, decentralisation of power and sharing, hacking really came to prominence with the emergence of the Internet as a ubiquitous public forum from the late 90’s onwards.

Hackers have emerged as both a threat to government and civilian security, or its saviour, often depending on your point of view.

Governments are starting to see the dangers presented both from outside their borders and within from this subculture of devoted keyboard warriors and are responding with force. In the USA the authorities do their best to keep up with those suspected of online subversion, while other governments have threatened to switch off the Internet all together. Far from being safe behind their screens, the new digital revolutionaries are being thrown behind bars, or in some countries like Syria tortured, while hackers in other countries do their best to support them, and keep their networks secure.

Guardians of the New World gives context to this often misunderstood subculture. For behind closed doors, in bedrooms and living rooms across the world, a war is being fought that will affect us all, and the battlefield is online.

America’s Surveillance State

We live in the United States of Surveillance – with cameras positioned on every street corner and much more invisible spying online and on the phone. Anyone paying attention knows that privacy is dead. All of this is not happening by accident – well funded powerful agencies and companies are engaged in the business of keeping tabs on what we do, what we say, and what we think.

To many in the world today, the face of America also has a big nose for sniffing and sifting mountains of data – phone calls, emails and texts. And with many mouths silenced by paranoia to keep what they decide is secret, secret.  America has become a Surveillance-Industrial State where everyone’s business has become its business, and where one huge US intelligence Agency has been given the sanction and unlimited amounts of money to spy on the whole world.

Mass Surveillance is the focus of this new 6 part investigative documentary series examining who is watching whom and why.

End of the Road

In 2008 the world experienced one of the greatest financial turmoils in modern history.  Markets around the world started crashing, stock prices plummeted, and major financial institutions, once thought to be invincible, started showing signs of collapse.  Governments responded quickly, issuing massive bailouts and stimulus packages in an effort to keep the world economy afloat.

Although we’ve been told that these drastic measures prevented a total collapse of our system, a growing sense of unease fills the population.  In the world of finance, indeed in all facets of modern life, cracks have started to appear.  What lies ahead as a result of these bold money printing measures?  Was the financial crisis solved, or were the problems merely kicked down the road?