Tag Archives: rights

91%: A Film About Guns in America

America’s 325 million residents own an estimated 347 million firearms. Not surprisingly, gun violence has become one of the most urgent public health issues facing Americans today.

In 91%, a cross-section of U.S. gun violence victims tell their heartbreaking stories of loss, pain, and a heroic search for hope in a nation stalled in a senseless gun control debate. Throughout these otherwise unrelated shootings, we find a common thread – the gunmen had all-too- easy access to the virtually untraceable, high-powered weaponry used in their attacks.

In the wake of the Sandy Hook Elementary School massacre, a 2013 poll revealed that 91% of Americans support comprehensive background checks – a factor that could prevent thousands of similar gun violence tragedies nationwide. Yet, divisive political rhetoric and congressional gridlock continues to perpetuate a flawed system that hurts communities across the country.

Moving beyond the confusing gun control politics and avoiding any discussion about the often-unpredictable motivations of rampage killers, 91% shows that Americans almost unanimously support both 2nd amendment rights and common sense regulation. The film finds a shared language between citizens on both sides of the issue, encouraging them to move common sense policy forward by speaking up in a conversation typically dominated by firearm lobbyists and manufacturers.

By highlighting the impact of unregulated gun sales on schools, families, and communities across the country, 91% addresses the real problems and possible solutions to gun violence in America. It’s something we all agree about, we just don’t know it yet.

The Coming War on China

The Coming War on China, from award winning journalist John Pilger, reveals what the news doesn’t – that the world’s greatest military power, the United States, and the world’s second economic power, China, both nuclear-armed, may well be on the road to war. 

Nuclear war is not only imaginable, but planned. The greatest build-up of NATO military forces since the Second World War is under way on the western borders of Russia. On the other side of the world, the rise of China is viewed in Washington as a threat to American dominance. 

To counter this, President Obama announced a ‘pivot to Asia’, which meant that almost two-thirds of all US naval forces would be transferred to Asia and the Pacific, their weapons aimed at China. A policy which has been taken up by his successor Donald Trump, who during his election campaign said “We can’t continue to allow China to rape our country and that’s what they’re doing”.

Filmed on five possible front-lines across Asia and the Pacific over two years, the story is told in chapters that connect a secret and ‘forgotten’ past to the rapacious actions of great power today and to a resistance, of which little is known in the West.

Sticky: A (Self) Love Story

Everyone does it; few admit it; now there’s a movie about it!

Sticky talks candidly about what has been referred to throughout history as both a form of self-love and self-abuse. After being shamed as a child by fellow students for admitting that he masturbated, writer/director Nicholas Tana, interviewed over sixty sexologists, authors, religious figures, porn stars, and entertainers to understand what’s so wrong with masturbation.

Full of candid interviews from sex therapists, religious figures, and psychologists to celebrated figures such as former Surgeon General Dr. Joycelyn Elders, comedian Janeane Garofalo, and, among others, “Hustler” creator, Larry Flynt. Sticky answers age-old questions; “Will it make me go blind?”; “Is it “normal”?”; and, “Why are we so afraid to be caught in the act?” As well as tackling more contemporary issues like why the media portrays masturbation so negatively, how the world’s major religions disagree about the moral effects of self-pleasuring, and why the sale of sex toys is illegal in Alabama.

When confusion about sexuality remains at the root of so many societal problems – rape, sexual abuse, and the threat of sexually transmitted diseases – Sticky pulls no punches in exploring a subject that touches us all.

The Strategy of Silence

Valencia, July 2006. One of the worse subway disasters in history occurs when a train derails, killing 43. While relatives mourn the victims, attention turns to the arrival of the Pope five days later, a PR agency is hired to sweep the incident under the carpet and within a month the case is closed.

Faced with a media blackout and a wall-of-silence from the government, a small group of families of the victims led by Beatriz Garrote begin what at first appears to be a hopeless cause – to find the truth about what happened that fateful day and seek justice for those who died.

The Strategy of Silence chronicles their 9 year struggle, and along the way exposes government corruption, mass safety breaches, a cynical culture of cover-ups and both a media and judiciary in thrall to government officials.

From nothing the protests grow until they can no longer be ignored, Beatriz’s band of bereaved campaigners first take over their local television station and finally reach the European Parliament. They are granted an independent investigation vindicating their entire struggle and finally leading to the downfall of the leading PP party.

The Strategy of Silence is an inspiring under-dog story, that showcases government capacity for deception and abuse, but also the power that we as citizens can – with courage and tenacity – take back.

The Strategy of Silence from Sideways Film on Vimeo.

The Abortion Hotline

In Chile, where abortion remains illegal and punishable by imprisonment, we follow a group of young activists who run an underground abortion hotline. Our protagonist Mafe is backed by a group of trusted volunteers who dedicate their evenings to answering calls and advising pregnant women in distress. Their goal: to inform callers about Misoprostol, a pill used to treat ulcers that can also induce abortion.

But change is in the air. After a heated election campaign, new President Michelle Bachelet has promised to loosen certain laws related to abortion. As the debate intensifies we witness first hand the trials and tribulations of the hotline as they find themselves taking centre stage. Election promises become diluted, allegiances are formed and broken with opportunists profiting from illegal abortions and the countries deep divisions are laid bare.

Can the hotline survive personal differences, will they remain safe from the authorities or will progressive reforms render the abortion hotline obsolete? 

The Abortion Hotline from Sideways Film on Vimeo.

BAKUR: Inside the PKK

Shot in secret, BAKUR: Inside the PKK is the worlds first documentary made with inside access to the Kurdish separatist group, who are considered a terrorist organisation by Turkey, the US and NATO. The result is an inside look at the undeclared war going on in Turkey for decades. This was the first time any film crew had ever accessed these camps.

To date, the PKK has lost over 30 thousand of its members in combat against the Turkish State. What is the PKK’s perception of the state, justice and authority? What constitutes the foundation of their relationship to the people? How did the Kurdish movement evolve over the years into a battle for freedom founded on the women’s rights movement? How do the guerrillas who have been living under wartime conditions for 40 years manage to survive all year-round in the harsh outdoor living conditions in the mountains?

In search for answers to all of these questions, BAKUR: Inside the PKK introduces the audience to men and women who have chosen to join the armed resistance in order to create a new future. We witness life in three guerrilla camps located in three different regions of Kurdish territory within the Turkish borders.

Beautifully shot over months, we follow the lives of guerrilla fighters including the training and graduation of new recruits, their justice system and the progressive philosophies that guide them.

 

BAKUR: Inside the PKK from Sideways Film on Vimeo.

Call Me Dad

Can violent men change? Call Me Dad is a film that takes its audience to the most delicate and painful place inside a parent’s heart. A place where good intentions and hope are pitted against entrenched and tormenting cycles of violence.

For some of these fathers, their fists are their weapons. For others, words and manipulation are most potent, used as part of a sustained pattern of intimidation, threats, and abuse intended to isolate, diminish and control the people they love. Now these men are seeking change. They have come together to talk, share information, challenge and support each other to be better men, partners and fathers to their children.

The group’s founder and facilitator David Nugent believes that women and children have the right to live their lives free from violence, and that men can change if they have the will and opportunity to do so. He challenges men to take ownership of their abusive and violent behaviours, and shows them that they can make different choices, and in doing so, can stop the cycle of violence.

David draws these men deep into conversation about the underbelly of patriarchal forms of masculinity, and the ways in which sexism can harm and diminish women, and constrict and isolate men.

Together the participants in David’s program are reaching for the courage and knowledge they need to be good partners, and good fathers. These men have taken the brave and difficult decision to confront their behaviours and histories head-on. These Dads are fighting to change the story for the next generation. Can these men re-establish ‘family’?

No Limits

Shot over 25 years, No Limits is a ‘7 Up’ inspired long form narrative documentary that follows the lives of our disabled protagonists – Thalidomide victims – over the course of decades, and reveals how changes in societies attitudes to disability have affected them.

It is also a scathing investigation into the crime of the century, as a new generation of Thalidomide babies are born in Brazil, decades after it was banned across most of the western world and its harmful effects publicised. Academy Award winning director John Zaritsky joins activists in Germany, Canada and the UK as they plot to reveal a sinister and long hidden complicity by the Thalidomide manufacturer, their Nazi background and a quest for justice for all.

Victor’s Last Class

At the age of 52 and suffering from terrible chronic back pain, Victor D’Altorio decided to end his life.

Victor was a proud homosexual, a lover of life, honest, and outrageous. As an acting teacher of the Meisner technique for 20 years, he was committed to living in the moment, and accepting all that that had to offer, however painful it may be. But after fighting bone marrow cancer into remission he found himself with debilitating degenerative disc disorder in his neck and back, and he could not deny the pain that he was in or the dim prospects of relief. His personal commitment to truth and honesty made him despise the idea of suicide in the traditional sense. He simply could not cause that pain to the ones he loved. He decided to tell everyone (via his blog) that he was going to kill himself. This is the starting point for our story.

Over the next five months together we see Vic soaking in the tub in pain, making sex jokes, yelling at the cameraman, crying over his deceased partner, teaching eager new students, wavering on the big choice, and bonding with Brendan, the film maker. During this time, Brendan’s mission changes. He stops being simply the filmmaker asking why, and becomes a close friend trying to change Victor’s mind. Brendan puts together an acting class for Victor to teach to remind him of the life he once loved living, he teams with other students to produce the play that Victor had written, he does all he can to convince his new friend and mentor to stick around.

Private Violence

Private Violence explores a simple, but deeply disturbing fact of life: the most dangerous place for a woman is her own home. Every day in the US, at least four women are murdered by abusive (and often, ex) partners. The knee-jerk response is to ask: ‘why doesn’t she just leave?’.

Private Violence shatters the brutality of this logic. Through the eyes of two survivors – Deanna Walters, a mother who seeks justice for the crimes committed against her at the hands of her estranged husband, and Kit Gruelle, an advocate who seeks justice for all women – we bear witness to the complicated and complex realities of intimate partner violence. Their experiences challenge entrenched and misleading assumptions, providing a lens into a world that is largely invisible; a world we have locked behind closed doors with our silence, our laws, and our lack of understanding. Kit’s work immerses us in the lives of several other women as they attempt to leave their abusers, setting them on a collision course with institutions that continuously and systematically fail them, often blaming victims for the violence they hope to flee. The same society that encourages women to seek true love shows them no mercy when that love turns dangerous. As Deanna transforms from victim to survivor, Private Violence begins to shape powerful, new questions that hold the potential to change our society: ‘Why does he abuse?’, ‘Why do we turn away?’ and ‘How do we begin to build a future without domestic violence?’

“The obstacles against effectively protecting battered women and prosecuting their abusers are vividly illustrated in ‘Private Violence’.. This potent documentary is a natural for public broadcast tube slots” Variety, Dennis Harvey

“‘Private Violence’, a documentary on Monday night on HBO, shows with shocking clarity that the worst of such cases rarely involve just a single punch, and that the problem is far more entrenched than a trending-on-Twitter moment makes it seem.” New York Times, Neil Genzlinger

“Hill managed powerful and intimate access to women who suffered with the realities.” Huffington Post, Rob Feld

“Domestic violence is a door marked ‘Do Not Open’, and here is Private Violence, opening it, and saying, ‘Step inside, have a look.'” Vulture, Matt Zoller

“Private Violence does not, as some social-issue documentaries do, continuously slam us in the face with these statistics. Instead, the film takes us inside, takes us behind closed doors, to come face-to-face with victims, families, and advocates” Bitch Flicks, Leigh Kolb

“Private Violence, an HBO documentary that follows the stories of several domestic violence survivors, is challenging the stigmas and stereotypes that surround the topic of domestic violence and, through intimate and often disturbing storytelling, details the intricacies of an issue that most people don’t fully understand.” Popsugar, Hilary White

America’s Surveillance State

We live in the United States of Surveillance – with cameras positioned on every street corner and much more invisible spying online and on the phone. Anyone paying attention knows that privacy is dead. All of this is not happening by accident – well funded powerful agencies and companies are engaged in the business of keeping tabs on what we do, what we say, and what we think.

To many in the world today, the face of America also has a big nose for sniffing and sifting mountains of data – phone calls, emails and texts. And with many mouths silenced by paranoia to keep what they decide is secret, secret.  America has become a Surveillance-Industrial State where everyone’s business has become its business, and where one huge US intelligence Agency has been given the sanction and unlimited amounts of money to spy on the whole world.

Mass Surveillance is the focus of this new 6 part investigative documentary series examining who is watching whom and why.

Fatherland

Fatherland is a controversial coming-of-age documentary set in the remote South African bush. It follows a group of Afrikaner boys over 9 days at a military camp in the spirit of their fathers before them.

“You’ve got these millions and millions of blacks around you. Smothering you and killing you.”

However, what starts out as basic training, fitness and camaraderie soon intensifies as the true nature of the camp is revealed and the boys are forced to question their place in the ‘New South Africa’.

“One must look at the negro not as one’s equal but as a child. A black man has the intelligence level of a 14 year old white boy.”

These camps are designed to recreate a sense of Nationalism amongst the next generation of Afrikaaners, though as their training progresses darker ideological elements emerge revealing the stark realities of their training and indoctrination.

“We have the men. We just need to plant the will in you because you’ve been brain washed by old Mandela. Be proud of your race”

The film follows three particular boys and Col. Franz Jooste -an ex-SADF soldier that fought for his country pre 1994 – and focuses on the conflicting views developed by the boys. Under the strict leadership of their camp leader, they struggle to find their identity within their own communities and within their ‘rainbow’ nation at large.  The children are forced to participate in a physically and mentally grueling process that tests their values, believes and identities on every level.

“The truth is that there will definitely be a war in this country. So I’m preparing myself for a war that’s coming.”