Private Violence

Private Violence explores a simple, but deeply disturbing fact of life: the most dangerous place for a woman is her own home. Every day in the US, at least four women are murdered by abusive (and often, ex) partners. The knee-jerk response is to ask: ‘why doesn’t she just leave?’.

Private Violence shatters the brutality of this logic. Through the eyes of two survivors – Deanna Walters, a mother who seeks justice for the crimes committed against her at the hands of her estranged husband, and Kit Gruelle, an advocate who seeks justice for all women – we bear witness to the complicated and complex realities of intimate partner violence. Their experiences challenge entrenched and misleading assumptions, providing a lens into a world that is largely invisible; a world we have locked behind closed doors with our silence, our laws, and our lack of understanding. Kit’s work immerses us in the lives of several other women as they attempt to leave their abusers, setting them on a collision course with institutions that continuously and systematically fail them, often blaming victims for the violence they hope to flee. The same society that encourages women to seek true love shows them no mercy when that love turns dangerous. As Deanna transforms from victim to survivor, Private Violence begins to shape powerful, new questions that hold the potential to change our society: ‘Why does he abuse?’, ‘Why do we turn away?’ and ‘How do we begin to build a future without domestic violence?’

“The obstacles against effectively protecting battered women and prosecuting their abusers are vividly illustrated in ‘Private Violence’.. This potent documentary is a natural for public broadcast tube slots” Variety, Dennis Harvey

“‘Private Violence’, a documentary on Monday night on HBO, shows with shocking clarity that the worst of such cases rarely involve just a single punch, and that the problem is far more entrenched than a trending-on-Twitter moment makes it seem.” New York Times, Neil Genzlinger

“Hill managed powerful and intimate access to women who suffered with the realities.” Huffington Post, Rob Feld

“Domestic violence is a door marked ‘Do Not Open’, and here is Private Violence, opening it, and saying, ‘Step inside, have a look.'” Vulture, Matt Zoller

“Private Violence does not, as some social-issue documentaries do, continuously slam us in the face with these statistics. Instead, the film takes us inside, takes us behind closed doors, to come face-to-face with victims, families, and advocates” Bitch Flicks, Leigh Kolb

“Private Violence, an HBO documentary that follows the stories of several domestic violence survivors, is challenging the stigmas and stereotypes that surround the topic of domestic violence and, through intimate and often disturbing storytelling, details the intricacies of an issue that most people don’t fully understand.” Popsugar, Hilary White

Honduras: The Deadliest Country for Women

In Honduras, gang violence, poverty and corruption are waging a bloody war against women. In the past year alone, a woman has been murdered every 36 hours, making the country one of the deadliest in the world to be female.

India’s Sex Toy Revolution

Sex Toys – are they legal? Should you be playing with them? Would your doctor recommend them? We visit a roadside sex toy stall, take part in a focus-group for an online sex toy company, and meet experts who give us the lowdown on everything you would need to know as a (first time) sex toy owner or even as a connoisseur of sexual aids.

We meet people at the centre of India’s sex positive revolution through its most intimate obsessions and explicit moments. Host Rytasha Rathore dives into sexuality of modern India probing at uncomfortable conversations that continue only behind closed doors.

Breaking the News

The 19th is the first nonprofit, nonpartisan news agency in the United States. Its mission is to focus on the impact of national politics and policy on women.

Breaking the News immerses its audience in the lives and pursuits of the members of The 19th – women and LGBTQ+ journalists – as they struggle to launch the agency and gain traction for their newsroom amidst an America upended by Trump, the Pandemic, Black Lives Matter and more.

Breaking the News provides an inquisitive and dynamic view of the inner workings of a news agency as its journalists aim to disrupt entrenched biases including their own, push for accountability and get the news stories that concern women on the front pages, where they belong.

Blue ID

On October 4, 2012, a beaming Rüzgar Erkoçlar received his first testosterone injection, a joyous occasion in his gender affirmation.

Formerly a well-known actor throughout Turkey, Rüzgar hoped he could lead a private life as a transman. With a new job at a bakery and a supportive family and friends, things looked positive at first – until he was outed on Twitter and suddenly Rüzgar’s journey is thrust onto the front pages. A media frenzy ensues, and the question of trans-rights grips Turkey, with Rüzgar the reluctant figurehead.

It is against this backdrop that we join Rüzgar, and witness the many obstacles he is to overcome in order to live an authentic life and get his Blue ID.

Martha: A Picture Story

Martha Cooper is an unexpected icon of the street art movement – a tiny, grey-haired figure running alongside crews of masked graffiti artists.

In the 1970’s, as the boroughs of New York City burned, she worked as a photographer for the New York Post, seeking images of creativity and play where others saw crime and poverty. As a result, she captured some of the first images of New York graffiti, at a time when the city had declared war on this new culture. Martha and her co-author Henry Chalfant compiled these images into the book Subway Art. However, the commercial failure of the book forced Martha to leave graffiti behind, moving on to document many other hidden cultures of New York.

20 years later Martha discovers she has become a legend of the graffiti world – a culture that has now exploded into a global movement. Subway Art became one of the most sold – and stolen – art books of all time, photocopied and shared by graffiti artists for decades.

At 75 years of age, Martha finds herself navigating a culture vastly changed.The small community born from struggle and adversity, has grown into a commercial industry fuelled by the rise of social media. Now every new piece of street art is immediately uploaded, and crowds line up for selfies in front of popular works. Martha struggles to find her place in this new world, driven by a passion for capturing the creativity that helps people rise above their environment.

Reportage (series)

Blood Tusks

A hundred elephants die every day in Africa killed by poachers, members of the militia or of terrorist organizations like Al Shabab. Their tusks sell for €600 per kilo, and an emerging middle class in China demands ivory as symbol of their new wealth status and International criminal gangs are there to cater to them. The tusks of these poor animals are pulled out while they´re still alive because they´re more valuable that way, and most of those apprehended do not even face a fine. Experts from the UN, ecologist organizations and Interpol warn that Elephants face extinction. In this episode we investigate this brutal industry meeting with every link in the chain from the poachers and sellers to the environmentalist and law enforcement.

War Lords

Somalia has the perfect ecosystem for endless war: European mercenaries, pirates, Al Qaeda jihadists, weapon smugglers, drought and hunger. We enter an absurd, anarchic reality where warlords will switch allegiances to gain security and stability, again to make profit and perhaps again for religious conviction. We meet with one of ‘good’ warlords whose troop of mercenaries are working for the local government for now. His militia was the only one that could win the Islamists from Al Shabab, but in Somalia, loyalty is with the clan and not with the State. We venture into one of the refugee camps for the internally displaced, the result of an exodus that has displaced almost two million Somalis. With the highest child mortality rate in the world – Islamists prohibited vaccinations as they considered them part of a Western conspiracy – to add to their troubles, alongside war, hunger, disease and the threat of kidnap – Somalia can be considered the most dangerous country in the world.

Honduras: The Mara´s Life   

Nineteen people are murdered every day in Honduras, the most violent country without a war in the world. Sistiaga experiences the daily horror of life on the streets in the cities of Honduras. Within three days of arriving he has already witnessed 12 murders: taxi drivers, engineers, drug dealers, gangsters. Killing is not the means but the goal itself, and brutality prevails – beheadings and dismemberment no longer make headlines. Young gangsters will kill each other for a corner to sell their drugs. The Maras control whole neighbourhoods in Honduras, drug dealers impose their law and the police are infiltrated and corrupted.

Holy Land

Half a million Israeli settlers live within the Palestinian territories forming the main barrier to a two-state solution. They do not see themselves as colonists or invaders, but rather pioneers. Some see themselves as the vanguard that will welcome the arrival of the Messiahs to the lands of Abraham, and others consider themselves a barrier against Islamic extremism. Many however, live in the colonies because the houses are cheaper. Living at the ground zero of our ages defining conflict however takes its toll as we see both sides locked in every day conflict and mutual mistrust that permeates every waking minute, and is the prism through which their identity is defined. We travel to this committed and obstinate world, a community suspicious of foreigners and the International press, and that welcomes isolation. They are convinced that anti Semitism govern the world, and that this land was promised to them. We travel to the Holy Land.

No Country for Women

It’s one of the biggest economies in the world and one of the most powerful members of the G-20 club. But India is not a country for women. Every hour a woman is killed. Mothers will abort when they know the gender of the baby, and many women in India will suffer every kind of humiliation and violence. Some will be sold as sex slaves before they are 12 years old, others will be force to marry as soon as they have their first period. More will suffer beatings or will be raped by gangs without consequence, or burnt with acid by their own husbands following brutal cultural traditions. We travel to the most savage and archaic India. The one you can´t find on the touristic guides or at G-20 meetings.

Hunting Homosexuals

Uganda is a Paradise for European tourists, one of the most Christian countries in Africa and the most homophobic country on the continent. The Parliament debates the Anti Homosexuality Law, also known as the ‘Killing Gay Law’. ‘They are very dangerous, they can finish Humanity’ This is how reverend Simon Lokodo – Minister of Ethics and Integrity – speaks about gays in a deeply Christian country, one of 80 countries in the world where being homosexual is a crime. They contemplate the death penalty for what they call ‘grave homosexuality’ or life sentence for the couples that dare to get married. There have been already assassinations of activists, beatings, intimidation and persecution. This episode uncovers the messianic arguments of the leaders that spread hate, and we give voice to the few gay activists that dare to face them.

Riding the Beast

The Beast is the train running through Mexico that everyday carries Central American migrants who dream of a better life in the United States. The reality is that on this most dangerous of journeys, the threat of kidnap, rape, violence and murder is constant as carrying their worldly belongings makes them an obvious target for gangs. Catastrophic accidents causing amputation and death are commonplace giving ‘the beast’ a second nickname, the ‘migrant mincer’. 20,000 people a year are kidnapped, a further 5,000 ‘missing’ and the route is strewn with shallow graves. In this episode we ride ‘the beast’ and experience the hardships of those who risk everything on its back. We meet with migrants searching for a better life, victims of its brutality and the support industry of kitchens, guides and markets that have grown alongside this arduous track.

Albino: A Story of Fear and Prejudice

In Tanzania, albino´s are feared and hated as many believe they are cursed and bring bad luck. As a result of these terrible superstitions they have become victims of mutilation and murder. To be born as an albino in certain places in Africa continues to be the worst sentence. Black magic rituals use their organs and witch doctors will pay high fees for their limbs. In this episode we meet with the victims of this heartbreaking reality and those who are trying to end these barbaric traditions.

Walking on Bombs

Afghanistan is full of landmines, which emerged as the most lethal weapon used against North American military forces and their allies. We travel to the south of the country – the most dangerous zone – to enter the world of bomb disposal officers; men and women that walk on bombs. None of them match the stereotype seen in The Hurt Locker and none of them are adrenalin junkies.  In their own words, this is the quickest way of getting killed in Afghanistan. War is over but the bombs remain. Every day, at least one Afghan is killed or mutilated.

How to Organise a Genocide

Rwanda is a country full of murderers, a fact evidenced by the million people who were killed with machetes over 3 months during the Rwandan genocide. We return twenty years on when many of the killers are starting to be released from prison and return to their homes and villages, and live amongst their victims; those who survived the slaughter hiding in swamps. We meet with both the victims and the perpetrators of a genocide, living side by side, which has not been forgotten..

At Hell´s Gate

In this episode we visit Kawah Ijen´s active volcano in Indonesia to investigate the labour conditions that miners bear everyday in extracting its sulphur. In the mouth of the volcano labourers carry upon their backs over 70 kilos of sulphur blocks, double their own weight. We follow the trail of these men –  suffering the worlds worse working conditions – in to ‘the gates of hell’. A strong smell of rotten eggs impregnate everything, the eyes gets irritated, the sulphur makes breathing difficult, the throat burns… This is one of the most toxic places on earth. Few make it past fifty years of age and their bodies are deformed form the heavy loads, for which they are paid €0.01 a kilo or at most €3 a day.                

In the Name of Honour

In the Name of Honour exposes frightening cases of ‘honour’ killings – the killing of a relative, especially a girl or woman, who is perceived to have brought dishonour on the family – from India, Jordan and Palestinian Territories. Hindu, Muslim and Christian families all share the tragic experiences that wrecked their lives.  

In this part verité / part investigative documentary, director Pawel Gula proves there is no honour in killing. The film juxtaposes horrific news footage with insights from the families of victims whose lives have been irreparably damaged and the killers who are still debating the consequences of their actions. Broader commentary from officials and activists fighting this horrific tradition combine to create a comprehensive picture of this brutal, hidden practice.

In the Name of Honour from Sideways Film on Vimeo.

Love Me

Can people find love through the modern “mail-order bride” industry? Or is the international romance business just a scam? Sincere and unflinching, Love Me follows Western men and Ukrainian women as they embark on an unpredictable and riveting journey in search of love.

Each character’s experience exposes the myths and realities of this unique industry, while also exploring the much deeper, human story that is too often overlooked.

Forget everything you think you know about “mail-order” brides and get ready for an outrageously funny, touching and unforgettable look at the extreme lengths people travel for love.

 

Fish Out of Water

Fish out of Water tackles the seven Bible verses used to condemn homosexuality and justify marriage discrimination.

This documentary uses humour and original animation to make a traditionally complex and controversial topic accessible to those who don’t like talking about religion and sexuality. Fish out of Water dives into the underbelly of America, crisscrosses red and blue states and talks to ministers from every denomination to uncover America’s impassioned relationship with homosexuality and the Bible. With slapstick animation and quirky interviews taken everywhere from barbershops to mega churches, Fish out of Water delivers a voice to the oppressed and informs the misled. Most importantly, Fish out of Water sits down with hundreds of gay, lesbian, bisexual and transgender folks to impart their experiences with faith and sexuality.

Quadrangle

Quadrangle is an unconventional documentary about two “conventional” couples that swapped partners and lived in a group marriage in the early 1970s. Coming out of the era of free love, and struggling with the monotony of marriage and suburban life, Deanna and Paul, began swapping partners with another middle class married couple. This four-way affair became a domestic living experiment when the two couples moved into one home, along with their children. While their individual marriages were failing, they found that together they were happy and thought they had discovered an alternative to divorce – a brave new world that would pave the way for how couples would live in the future. Instead it unraveled. Both couples divorced and married their foursome partners, but they could never truly separate because they were bound by the children they shared.

This film examines the story of the group marriage as told by Deanna and Paul in the present. They are forty years older and estranged, and through seperate interviews a simulated conversation takes place as they recount their stories. How do we grapple with marriage, monogamy, and desire? What happens when you challenge the boundaries of social convention? And what, if anything, did we learn from all that sixties-inspired experimentation?

Trial of a Child Denied

When Helena Ferenciková was 19 years old and in the throes of labour with her first child, she was told to sign a document. Only afterwards did she realise she had authorised her own sterilisation. Eleven years previously, the same happened to Elena Gorolová.

Both women are fighting for justice.

As Roma women, they face the hardships common to Roma communities throughout Europe as well as the difficulties of their own cultural norms which value a woman’s fertility above all else. With the Czech media demonising them as liars, parasites and trouble makers, and their own family alarmed at the attention, they struggle on. Helena has chosen legal action, and became the first Roma woman to win a case against the hospital that sterilised her and Elena addresses international audiences to ensure this never happens again.

Helena and Elena’s situations are a microcosm for the multiple sources of social injustice facing the Czech Republic’s Roma community. Through their poignant and unnerving stories, this film unearths the shocking anachronism of the practice of forced sterilisation that continued long after the Communist mandate.