Tag Archives: justice

When China Met Africa

A historic gathering of over 50 African heads of state in Beijing reverberates in Zambia where the lives of three characters unfold. Mr Liu is one of thousands of Chinese entrepreneurs who have settled across the continent in search of new opportunities. He has just bought his fourth farm and business is booming.

In northern Zambia, Mr Li, a project manager for a multinational Chinese company is upgrading Zambia’s longest road. Pressure to complete the road on time intensifies when funds from the Zambian government start running out.

Meanwhile Zambia’s Trade Minister is on route to China to secure millions of dollars of investment.

Through the intimate portrayal of these characters, the expanding footprint of a rising global power is laid bare – pointing to a radically different future, not just for Africa, but also for the world.

Egypt: Behind the Revolution

Filmed primarily in Egypt in March of 2011, soon after the January revolution, this film introduces you to the Egyptians who lived under Mubarak and helped to bring him down.

Including interviews with revolutionaries from all walks of life fighting for a new start in Egypt, we get an inside glimpse at the sequence of events that led to what some are calling the first Facebook revolution.  Ordinary people give their reasons for taking to the streets of Egypt to call for freedom and reforms, and what led them to demand Mubarak’s resignation.

This broad-ranging film gives the events of January 2010 both the context necessary to fully understand how a powerful regime could fall so suddenly, as well as on-the-ground testimonials that fill in important details that went unreported at the time.

From the brewing discontent that preceded the revolution, to the 18 days of often brutally suppressed protests when success seemed far from inevitable, this film puts us in the centre of the action. Finally, Egypt: The Story Behind the Revolution captures the peoples joy and relief when Mubarak steps down after thirty years in power.

The Ministry of Truth

Are you sick of dishonest politics? The cure is here (and surprisingly entertaining..)

It’s a simple enough question, but when filmmaker Richard Symons asks MPs, “Should it be unlawful for parliamentarians to lie?” he has them all spluttering into their mandates. Proposing his very own Misrepresentation of the Peoples Bill, Symons listens to Jack Straw, Harriet Harman and Lord Falconer tell him why it’s unrealistic for politicians to be held accountable for what they tell the electorate. Lord Falconer even suggests Symons wouldn’t himself expect to be prosecuted for a few lies. “But I don’t run the country,” Symons retorts. The parlous state of the cradle of democracy may come as a surprise to the film’s potential global audience, but sadly not to its domestic one.

This is a keenly serious film, disguised by its light-hearted tone, which led to the passing of the Misrepresentation of the People’s Act bill in Parliament.

Parallel Worlds

As the world prays for a breakthrough at the latest round of Middle-East peace talks, a film that shows the conflict from the inside, and why the talks will fail.

Filmed during the 2009 Gaza War, three conflicted, Jewish-Israelis, navigate toward their differing visions of Israel’s future: and thereby the future of the conflict itself.

The Teacher: Erez, an ideological settler, founded two of the largest youth movements in Israel – he plans to train a generation of hyper-nationalist, pro-military leaders to shape Israeli society in the decades to come.

The Peace Activist: Mihal runs a Jewish/Arab peace group planning to bridge the ethnic divide when at it’s most pronounced – Israeli Independence Day. To Israel’s Jews a day of great celebration but to Palestinians known simply, as The Nakba: The Catastrophe. The group must hold together as the war rages on and find a way to accept each other’s frank confessions of mutual suspicion and a thirst for revenge.

The Photographer: At 23 years old, Mor finds herself straddling the fault lines of Israeli society. Recently atheist but raised religious orthodox and ultra-nationalistic, her love for Israel is all that’s left of her traditional upbringing, but as she begins to see what life can be like for Israel’s Arab population, her faith is tested once again.

Instead of the endlessly rehearsed contestable facts, this film focuses on the atmosphere in which they are created. From mortars raining down in Southern Israel to the collision of pro and anti-war marches in Tel Aviv, this is the story of five months in the life of the Arab/Israeli conflict as seen from the streets. And the lives of three unique individuals reacting to the history unfolding around: of lives lived in exceptional conditions, and the beliefs that crystallise under the intense pressure of life at the centre of our geo-political world.

Ghosts

Three Canadian men of Muslim faith were detained and tortured during a three-year period in Syria and Egypt. Upon their release, they return to Canada struggling to find answers to why this happened to them.

An internal inquiry was struck into their cases in order to determine the role of Canadian agencies and officials in their detention and torture. The inquiry was conducted almost exclusively behind closed doorsand the findings of this inquiry were made public in late 2008, revealing that the Canadian government was complicit in their detention and torture.

Ghosts follows the lives and cases of these men for a year and a half as they – with the help of lawyers, organisations and regular Canadians – fight to leave the horrors behind them, to receive an apology and compensation, and to see accountability as they attempt to rebuild their lives.

A portrait of life after experiences of torture, this is a powerful and intimate documentary about the fragile balance between democracy, human rights and national security fears in the post 9/11 era.

The Unreturned

Iraq’s continuing middle-class refugee disaster is a crucial but unacknowledged reason why peace in Iraq remains so elusive. Forty percent of Iraq’s professional class is now displaced in neighboring countries. This is an unmitigated disaster for Iraq, a shattered nation that desperately needs its native professional class to help rebuild.

The Unreturned, filmed in Syria and Jordan, lets the displaced Iraqi middle class speak for itself.

This film vividly portrays the lives of five displaced Iraqis from different ethnicities and religions. Caught in an absurdist purgatory of endless bureaucracy, dwindling life savings, and forced idleness, these refugees nevertheless radiate vitality and warmth. With an unflinching eye, candid dialogue, and a subtle touch of humour, The Unreturned captures scenes of daily life that are both personal and illustrative of the larger issues facing Iraq.

Trial of a Child Denied

When Helena Ferenciková was 19 years old and in the throes of labour with her first child, she was told to sign a document. Only afterwards did she realise she had authorised her own sterilisation. Eleven years previously, the same happened to Elena Gorolová.

Both women are fighting for justice.

As Roma women, they face the hardships common to Roma communities throughout Europe as well as the difficulties of their own cultural norms which value a woman’s fertility above all else. With the Czech media demonising them as liars, parasites and trouble makers, and their own family alarmed at the attention, they struggle on. Helena has chosen legal action, and became the first Roma woman to win a case against the hospital that sterilised her and Elena addresses international audiences to ensure this never happens again.

Helena and Elena’s situations are a microcosm for the multiple sources of social injustice facing the Czech Republic’s Roma community. Through their poignant and unnerving stories, this film unearths the shocking anachronism of the practice of forced sterilisation that continued long after the Communist mandate.

Occupy: The Movie

If Inside Job made 2008’s economic meltdown comprehensible, Occupy: The Movie provides a sensational sequel by focusing on the social movement that set up shop at Wall Street’s front door.

Occupy succeeded in captivating our collective consciousness and providing hope for positive change, but its visibility vanished as quickly as it appeared, leaving questions of its effectiveness in its wake. Tackling the complexity of how the movement manifested and providing cogent context to what caused its genesis, Corey Ogilvie presents a clear and compelling account of the Zuccotti Park settlement without getting lost in empty slogans, violent conflicts or proselytizing activists.

Featuring key interviews with Kalle Lasn (Adbusters), philosopher Cornel West, journalist Chris Hedges and leading organizers from the Occupy Wall Street movement, Occupy: The Movie isn’t propaganda for the cause, but an expert analysis of one of the biggest American social movements since the civil rights era.

Informant

Informant examines Brandon Darby, a radical activist turned FBI informant who has been both vilified and deified, but never entirely understood.

In 2005, Darby became an overnight activist hero when he traveled to Katrina-devastated New Orleans and braved toxic floodwaters to rescue a friend stranded in the Ninth Ward. Soon after, he became a founding member of Common Ground, a successful grassroots relief organization.

After two young activists were arrested at the 2008 Republican National Convention, Darby shocked close friends and activists nationwide by revealing he had been instrumental in the indictment as an FBI informant.

As the only film with access to Darby since his public confession, Informant meticulously constructs a portrait of his life – before and after the death threats – through interviews with Darby and tense reenactments starring the man himself.

Darby’s version of events are accompanied and often contradicted by commentary from acquaintances and expert commentators on various points along the political spectrum.

“The unreliable-narrator docu develops a new wrinkle or two with “Informant.” Jamie Meltzer’s engrossing portrait lets Brandon Darby tell his own story – of a self-proclaimed far-left, anti-government activist-turned-FBI snitch now feted at Tea Party gatherings –while fellow travelers cast doubt on that testimony every step of the way. An absorbing puzzle with the potential to intrigue viewers all along the political spectrum.”
– Dennis Harvey, Variety

“A kind of ‘Fog of War’ for the age of Occupy”
– Indiewire

“The force of Darby’s personality – a rich stew of righteousness, arrogance and self-delusion — gives the doc a psychological appeal independent of politics… it deserves a theatrical run.”
-John DeFore, Hollywood Reporter

Generation OS13: The New Culture of Resistance

Generation OS13 is an explosive insight into the attack on civil liberties occurring in western democracies and how artists, musicians, journalists and authors encourage the peoples right to resist against Banker occupation.

Examining economic dictatorships, puppet regimes, tax havens, tax dodgers, and the debt based money system the film explains why ‘you can not count on the law makers to see shit when it first happens’. For a new era, generation OS13, the repression will not be tolerated; do ‘the government really think they can win that war if the young people are like fuck this, you cant beat that you, can’t beat us, its Impossible’ – Saul Williams.

Featuring Painter, poet & song writer Billy Childish, Harry Malt from Bare Bones, Luke Turner from The Quietus, journalist Huw Nesbitt, broadcaster Max Kaiser, author Nicholas Shaxson & Artists Anika, Comanechi, Gaggle’s & Saul Williams.

“Those bailouts were absolutely required to save your civilisation, now if you talk about bail outs for everyone else you have to say to say to those people suck it in and cope buddy, suck it in and cope”

– No thanks

Blue Code of Silence

Bob Leuci: American Hero or the Biggest Rat in NYPD History? 

It’s 1970’s New York City, crime and drug trafficking is at an all time high and police corruption is rife. One officer went under-cover within his own department, wore a wire and collected evidence, eventually bringing to trial over 50 of his colleagues in the NYPD. Although hailed as a hero by many, Bob Leuci is also the most hated cop in American history. 

Did he rat on his colleagues to save his own skin, as many claim, was he motivated by the pursuit of justice or was he used as a pawn to scape goat the rank and file, while their superiors – many of whom are still in power – got off the hook? 

After a lifetime in Witness Protection, Bob Leuci – and those that despise him – tell their story. Using past and present testimonies, dramatic archive, stylised recreations and a killer 1970’s soundtrack, Blue Code of Silence will bring this story of corruption and betrayal to life.

Trophy Hunters

With exclusive access to the Dallas Safari Club we go behind the scenes into the hidden world of big game hunting, where millionaires bid to hunt endangered species. We follow them from the auction room to the African continent where they claim that their sport actually saves lives in bringing much needed funds to impoverished communities, and help in the conservation effort.

Each year, the club itself comes under intense media scrutiny and severe criticism for it’s annual big game auction, and it is here that the arguments in favour of trophy hunting can be heard at their most impassioned.

In this revelatory documentary we will enter the world of the Dallas Safari Club, who for the first time are letting a documentary film crew into their inner circle.  With this access we have an opportunity for some of the world’s most prolific (professional and amateur) Trophy Hunters to tell their side of this story. Through them we’ll seek to shine a light on the big questions in this debate. Does trophy hunting actually help or hinder conservation? In this most expensive of ‘sports’ where does their money go and who ultimately benefits?  This revealing and at times shocking film will explore the world of this close knit and fiercely loyal community, where the legal and the moral are often conflated and Hunters are revered as professional athletes.

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Contact us to request full treatment, more screening material, information on broadcast partners, budget, finance plan or any other matters relating to potential partnerships.

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Director: Des Henderson
Producer: Ed Stobbart
Executive Producer: Kazz Basma
Distributor: Sideways Film
Country of Production: UK
Language: English
We are looking for: Co-Pro and Pre Sales
Stage of Project: Early Development
Delivery Date: TBA

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Key Biographies

Director – Des Henderson

Des is an award wining director with ten years experience originating and directing hard-hitting and startling factual content for a range of broadcasters, including the BBC, C4 and RTE. Des is currently in post-production on his latest feature-documentary that will screen at film festivals in the fall. Credits include: Project Children (Currently in Production), Keepin’ ‘Er Country (BBC 2015), Hit the Stage (BBC 2013), Life Patrol – BBC (2012).

Producer – Ed Stobart

Ed is a multi award winning producer and director who has delivered successful, high quality series and films for all the UK’s major terrestrial and digital broadcasters, and his work has been seen in over 150 territories around the world.  He executive produces all of Alleycats output – BBC4’s Killing me Softly, The Roberta Flack Story; Here Comes the Summer, The Undertones Story; BBC1/CBBC Music City/Hit the Stage, BBC1 Longest Night and the award wining BBC1 NI/RTE1 Life Patrol and CBBC My Life: The Big Climb are highlights. Among his many award winning credits, Ed Stobart Executive Produced Pink Saris, directed by Kim Longinotto, which was BAFTA and Grierson nominated, winner of the Prix Europa, selected at numerous festivals including IDFA and Sheffield and broadcast on HBO, BBC and elsewhere worldwide.

Executive Producer – Kazz Basma

Kazz Basma set up Sideways Film in 2010 to distribute social justice and dramatic narrative documentaries. He has licensed films to broadcasters, all rights buyers, the education market and online on every continent and have been screened at prestigious festivals worldwide including Sundance, Tribeca, IDFA, Hot Docs and Sheffield Doc Fest. He attends at least twelve documentary festivals each year where he is regularly invited to speak on panels and at round-tables, serves as a guest lecturer at the London College of Communication and is an invited expert at EAVE (the European Audio Visual Entrepreneurs network).