Tag Archives: Politics

The Ministry of Truth

Are you sick of dishonest politics? The cure is here (and surprisingly entertaining..)

It’s a simple enough question, but when filmmaker Richard Symons asks MPs, “Should it be unlawful for parliamentarians to lie?” he has them all spluttering into their mandates. Proposing his very own Misrepresentation of the Peoples Bill, Symons listens to Jack Straw, Harriet Harman and Lord Falconer tell him why it’s unrealistic for politicians to be held accountable for what they tell the electorate. Lord Falconer even suggests Symons wouldn’t himself expect to be prosecuted for a few lies. “But I don’t run the country,” Symons retorts. The parlous state of the cradle of democracy may come as a surprise to the film’s potential global audience, but sadly not to its domestic one.

This is a keenly serious film, disguised by its light-hearted tone, which led to the passing of the Misrepresentation of the People’s Act bill in Parliament.

Parallel Worlds

As the world prays for a breakthrough at the latest round of Middle-East peace talks, a film that shows the conflict from the inside, and why the talks will fail.

Filmed during the 2009 Gaza War, three conflicted, Jewish-Israelis, navigate toward their differing visions of Israel’s future: and thereby the future of the conflict itself.

The Teacher: Erez, an ideological settler, founded two of the largest youth movements in Israel – he plans to train a generation of hyper-nationalist, pro-military leaders to shape Israeli society in the decades to come.

The Peace Activist: Mihal runs a Jewish/Arab peace group planning to bridge the ethnic divide when at it’s most pronounced – Israeli Independence Day. To Israel’s Jews a day of great celebration but to Palestinians known simply, as The Nakba: The Catastrophe. The group must hold together as the war rages on and find a way to accept each other’s frank confessions of mutual suspicion and a thirst for revenge.

The Photographer: At 23 years old, Mor finds herself straddling the fault lines of Israeli society. Recently atheist but raised religious orthodox and ultra-nationalistic, her love for Israel is all that’s left of her traditional upbringing, but as she begins to see what life can be like for Israel’s Arab population, her faith is tested once again.

Instead of the endlessly rehearsed contestable facts, this film focuses on the atmosphere in which they are created. From mortars raining down in Southern Israel to the collision of pro and anti-war marches in Tel Aviv, this is the story of five months in the life of the Arab/Israeli conflict as seen from the streets. And the lives of three unique individuals reacting to the history unfolding around: of lives lived in exceptional conditions, and the beliefs that crystallise under the intense pressure of life at the centre of our geo-political world.

Southern Exposure

Three years in the making, Southern Exposure is the first documentary that lifts the curtain of lies, half-truths and misinformation to reveal the many facets of illegal immigration to the USA.

The result is a hard-hitting investigation that chronicles the back-stories of drug cartels & human trafficking, the consequences of demographic changes, the resurgance of contagious diseases and the rise of racism and it’s corollary; Ethnic Studies programs taught in schools that promote the myth of Aztlan – that the Southern States are part of the Mexican homeland.

Long seen as a taboo subject, Southern Exposure is unflinching in identifying the consequences of illegal immigration, sensitive to those who risk everything to make the crossing and comprehensive in it’s analysis of the effects – both direct and indirect.

The Unreturned

Iraq’s continuing middle-class refugee disaster is a crucial but unacknowledged reason why peace in Iraq remains so elusive. Forty percent of Iraq’s professional class is now displaced in neighboring countries. This is an unmitigated disaster for Iraq, a shattered nation that desperately needs its native professional class to help rebuild.

The Unreturned, filmed in Syria and Jordan, lets the displaced Iraqi middle class speak for itself.

This film vividly portrays the lives of five displaced Iraqis from different ethnicities and religions. Caught in an absurdist purgatory of endless bureaucracy, dwindling life savings, and forced idleness, these refugees nevertheless radiate vitality and warmth. With an unflinching eye, candid dialogue, and a subtle touch of humour, The Unreturned captures scenes of daily life that are both personal and illustrative of the larger issues facing Iraq.

Occupy: The Movie

If Inside Job made 2008’s economic meltdown comprehensible, Occupy: The Movie provides a sensational sequel by focusing on the social movement that set up shop at Wall Street’s front door.

Occupy succeeded in captivating our collective consciousness and providing hope for positive change, but its visibility vanished as quickly as it appeared, leaving questions of its effectiveness in its wake. Tackling the complexity of how the movement manifested and providing cogent context to what caused its genesis, Corey Ogilvie presents a clear and compelling account of the Zuccotti Park settlement without getting lost in empty slogans, violent conflicts or proselytizing activists.

Featuring key interviews with Kalle Lasn (Adbusters), philosopher Cornel West, journalist Chris Hedges and leading organizers from the Occupy Wall Street movement, Occupy: The Movie isn’t propaganda for the cause, but an expert analysis of one of the biggest American social movements since the civil rights era.

Informant

Informant examines Brandon Darby, a radical activist turned FBI informant who has been both vilified and deified, but never entirely understood.

In 2005, Darby became an overnight activist hero when he traveled to Katrina-devastated New Orleans and braved toxic floodwaters to rescue a friend stranded in the Ninth Ward. Soon after, he became a founding member of Common Ground, a successful grassroots relief organization.

After two young activists were arrested at the 2008 Republican National Convention, Darby shocked close friends and activists nationwide by revealing he had been instrumental in the indictment as an FBI informant.

As the only film with access to Darby since his public confession, Informant meticulously constructs a portrait of his life – before and after the death threats – through interviews with Darby and tense reenactments starring the man himself.

Darby’s version of events are accompanied and often contradicted by commentary from acquaintances and expert commentators on various points along the political spectrum.

“The unreliable-narrator docu develops a new wrinkle or two with “Informant.” Jamie Meltzer’s engrossing portrait lets Brandon Darby tell his own story – of a self-proclaimed far-left, anti-government activist-turned-FBI snitch now feted at Tea Party gatherings –while fellow travelers cast doubt on that testimony every step of the way. An absorbing puzzle with the potential to intrigue viewers all along the political spectrum.”
– Dennis Harvey, Variety

“A kind of ‘Fog of War’ for the age of Occupy”
– Indiewire

“The force of Darby’s personality – a rich stew of righteousness, arrogance and self-delusion — gives the doc a psychological appeal independent of politics… it deserves a theatrical run.”
-John DeFore, Hollywood Reporter

Generation OS13: The New Culture of Resistance

Generation OS13 is an explosive insight into the attack on civil liberties occurring in western democracies and how artists, musicians, journalists and authors encourage the peoples right to resist against Banker occupation.

Examining economic dictatorships, puppet regimes, tax havens, tax dodgers, and the debt based money system the film explains why ‘you can not count on the law makers to see shit when it first happens’. For a new era, generation OS13, the repression will not be tolerated; do ‘the government really think they can win that war if the young people are like fuck this, you cant beat that you, can’t beat us, its Impossible’ – Saul Williams.

Featuring Painter, poet & song writer Billy Childish, Harry Malt from Bare Bones, Luke Turner from The Quietus, journalist Huw Nesbitt, broadcaster Max Kaiser, author Nicholas Shaxson & Artists Anika, Comanechi, Gaggle’s & Saul Williams.

“Those bailouts were absolutely required to save your civilisation, now if you talk about bail outs for everyone else you have to say to say to those people suck it in and cope buddy, suck it in and cope”

– No thanks

Blue Code of Silence

Bob Leuci: American Hero or the Biggest Rat in NYPD History? 

It’s 1970’s New York City, crime and drug trafficking is at an all time high and police corruption is rife. One officer went under-cover within his own department, wore a wire and collected evidence, eventually bringing to trial over 50 of his colleagues in the NYPD. Although hailed as a hero by many, Bob Leuci is also the most hated cop in American history. 

Did he rat on his colleagues to save his own skin, as many claim, was he motivated by the pursuit of justice or was he used as a pawn to scape goat the rank and file, while their superiors – many of whom are still in power – got off the hook? 

After a lifetime in Witness Protection, Bob Leuci – and those that despise him – tell their story. Using past and present testimonies, dramatic archive, stylised recreations and a killer 1970’s soundtrack, Blue Code of Silence will bring this story of corruption and betrayal to life.

Trophy Hunters

With exclusive access to the Dallas Safari Club we go behind the scenes into the hidden world of big game hunting, where millionaires bid to hunt endangered species. We follow them from the auction room to the African continent where they claim that their sport actually saves lives in bringing much needed funds to impoverished communities, and help in the conservation effort.

Each year, the club itself comes under intense media scrutiny and severe criticism for it’s annual big game auction, and it is here that the arguments in favour of trophy hunting can be heard at their most impassioned.

In this revelatory documentary we will enter the world of the Dallas Safari Club, who for the first time are letting a documentary film crew into their inner circle.  With this access we have an opportunity for some of the world’s most prolific (professional and amateur) Trophy Hunters to tell their side of this story. Through them we’ll seek to shine a light on the big questions in this debate. Does trophy hunting actually help or hinder conservation? In this most expensive of ‘sports’ where does their money go and who ultimately benefits?  This revealing and at times shocking film will explore the world of this close knit and fiercely loyal community, where the legal and the moral are often conflated and Hunters are revered as professional athletes.

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Contact us to request full treatment, more screening material, information on broadcast partners, budget, finance plan or any other matters relating to potential partnerships.

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Director: Des Henderson
Producer: Ed Stobbart
Executive Producer: Kazz Basma
Distributor: Sideways Film
Country of Production: UK
Language: English
We are looking for: Co-Pro and Pre Sales
Stage of Project: Early Development
Delivery Date: TBA

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Key Biographies

Director – Des Henderson

Des is an award wining director with ten years experience originating and directing hard-hitting and startling factual content for a range of broadcasters, including the BBC, C4 and RTE. Des is currently in post-production on his latest feature-documentary that will screen at film festivals in the fall. Credits include: Project Children (Currently in Production), Keepin’ ‘Er Country (BBC 2015), Hit the Stage (BBC 2013), Life Patrol – BBC (2012).

Producer – Ed Stobart

Ed is a multi award winning producer and director who has delivered successful, high quality series and films for all the UK’s major terrestrial and digital broadcasters, and his work has been seen in over 150 territories around the world.  He executive produces all of Alleycats output – BBC4’s Killing me Softly, The Roberta Flack Story; Here Comes the Summer, The Undertones Story; BBC1/CBBC Music City/Hit the Stage, BBC1 Longest Night and the award wining BBC1 NI/RTE1 Life Patrol and CBBC My Life: The Big Climb are highlights. Among his many award winning credits, Ed Stobart Executive Produced Pink Saris, directed by Kim Longinotto, which was BAFTA and Grierson nominated, winner of the Prix Europa, selected at numerous festivals including IDFA and Sheffield and broadcast on HBO, BBC and elsewhere worldwide.

Executive Producer – Kazz Basma

Kazz Basma set up Sideways Film in 2010 to distribute social justice and dramatic narrative documentaries. He has licensed films to broadcasters, all rights buyers, the education market and online on every continent and have been screened at prestigious festivals worldwide including Sundance, Tribeca, IDFA, Hot Docs and Sheffield Doc Fest. He attends at least twelve documentary festivals each year where he is regularly invited to speak on panels and at round-tables, serves as a guest lecturer at the London College of Communication and is an invited expert at EAVE (the European Audio Visual Entrepreneurs network).

The Grand Experiment

There is a grand experiment underway, the birth of a new financial market, one that promises to solve society’s most complex, intractable problems. An unorthodox marriage between capitalism and charity, The Grand Experiment tracks a social innovation that has won the backing of both conservative and liberal governments, support from renowned philanthropists like the Rockefeller Foundation, and buy-in from Wall Street’s biggest investment bank, Goldman Sachs.

Social Impact Bonds (SIBs) are an investment product designed to raise private capital for social programs. Governments pay investors a return only if the programs decrease public expenditures by improving social outcomes, for example lowering the number of unemployed or prisoners. The profit paid by government to the investor is commensurate with the success of the social program.

From the halls of power to society’s struggling underclass, The Grand Experiment follows an unusual cast of characters forging previously unthinkable alliances: social workers and Wall Street bankers, the homeless and venture capitalists, conservative and liberal politicians. Over three years – in Canada, the United States and the United Kingdom – this feature film tracks their efforts to use profit motivation to solve everything from crime to addiction to homelessness.

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Sir Ronald Cohen is the creator of social impact bonds, and leader of the international SIB revolution. As chair of the newly formed G8 Taskforce on Impact Investment, he’s been charged with igniting impact investing around the globe. Credited with creating the global venture capital market, Sir Cohen believes impact investing will be a democratizing force giving equal opportunity to all.  By enticing investors with the lure of a double bottom line, he aims to bridge the gap between rich and poor.

At Melody Elementary School on Chicago’s west side, we’ll follow Kindergarten children through a school year in one of the city’s poorest neighborhoods. These students and their parents are part of a program designed to reduce the city’s special education costs. Goldman Sachs and local venture capitalists have invested $17 million in the Chicago bond.  If the children test well, they’ll make a profit, which they hope will galvanize a global impact investment market.

For head teacher Michelle Stewin, the money is a chance to keep their program alive. Poverty, unemployment, and homelessness, have stacked the cards against her students.  Will the teachers and children at Melody get the test scores they need to keep the money flowing?

In Canada, the Ontario government is looking to launch its first social impact bond. We have negotiated exclusive access to film the final selection process, as four short-listed non-profits work with finance consultants to hone their business case and pitch to investors. The finalists are attacking a wide range of confounding social problems: generational unemployment, habitual young offenders, and chronic homelessness.

In the UK, Sir Cohen’s creation is facing growing opposition.  Some labour unions and non-profits are accusing the British Cabinet Office of pursuing a privatization agenda, and opening up government coffers to society’s wealthiest individuals. In the United States, academics have questioned the metrics used to pay Goldman Sachs a maximum return on the country’s first successful SIB.

Despite the concerns surrounding SIBs, they are the fastest growing social innovation in modern history. Currently there are 53 in more than a dozen countries, including: the UK, U.S., Canada, Australia, Germany, Belgium, Netherlands, Israel, Japan, Finland, Sweden, Ireland, Italy, India and Malaysia.

In Chicago and Ontario, and through the international efforts of Sir Cohen, The Grand Experiment will document one of the most important shifts of the 21st Century. At the heart of this film is one central question: is capitalism the answer to our social problems?

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Contact us to request full treatment, more screening material, information on broadcast partners, budget, finance plan or any other matters relating to potential partnerships.

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Director: Nadine Pequeneza
Producer: Nadine Pequeneza
Distributor: Sideways Film
Country of Production: Canada
Language: English
We are looking for: Co-Pro and Pre Sales
Stage of Project: Development
Delivery Date: Dec 2017

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Key Biographies

Director – Nadine Pequeneza

Nadine Pequeneza is an award-winning Producer, Director and Writer best known for her observational films offering unique access to character-driven stories about social justice. With over 15 years international experience, she has received multiple awards including; a Canadian Screen Award for Best Writing in a Documentary Program, the American Bar Association Silver Gavel, a Gold Hugo from the Chicago International Film Festival, a Golden Sheaf from the Yorkton Film Festival, and a Gold Panda from the Sichuan TV Festival. Nadine is a 7-time Canadian Screen Award nominee in both directing and writing categories. Her work has broadcast in more than 50 countries.

As the founder of HitPlay Productions, Nadine has produced and directed the company’s feature documentaries, including: Up In Arms, Inside Disaster, and Raising Cassidy. Her most recent documentary feature, 15 to Life: Kenneth’s Story, premiered in August 2014 on the award-winning PBS series POV. She is currently in production on a film about the legalization of physician assisted dying in Canada for CBC.

Editor – Ricardo Acosta

Ricardo immigrated to Canada from his native Cuba in 1993. He is a Sundance alumni and has edited award-winning documentaries for the past 20 years, including: Sembene! premiered at Sundance and screened at Cannes in 2015.
Marmato won Best Editor in a Documentary from the Canadian Cinema Editor Awards. Herman’s House premiered at the Hot Docs Canadian International Documentary Festival and won an Emmy for best Political Arts documentary.

The Take directed by Naomi Klein and Avi Lewis, official selection at the Venice Film Festival and winner of the Canada Screen Award for Best Picture Editing.

Cinematographer – Stan Barua

Stan Barua’s work has attracted accolades and awards on five continents. Born in Poland where he earned his MA in Cinematography from the National Film School in Lodz, he also lived and worked in Kenya before moving to Canada in 1998.
Baba’s House Best Cinematography Award, Yorkton Short Film Festival; Eastman Kodak Cinematography Award, Houston International Film Festival; Best Canadian Short Drama Award, Atlantic Film Festival.

Rain Best Atlantic Canada Short Film Award, Atlantic Film Festival. Forgotten Places Best Cinematography Award, Warsaw Terra Film Festival.

Driverless

Over 40,000 people will die from car crashes in the U.S this year; the leading cause of death for young people.

The driverless car’s arrival promises to save many of these lives by eliminating human error, but how will the introduction of such a revolutionary technology shape our cities and influence our behaviour?

From the fascinating history of America’s embrace of the automobile to a present grassroots movement against them, Driverless is a documentary that seeks to look beyond the engineering marvel and ask, in what kind of world do we want to live and are we driving down a road that will get us there?