Tag Archives: film

The Sacred City

The Sacred City presents compelling evidence that suggests the holy city of Mecca is in the wrong location and that the worlds 1.6 billion Muslims are praying in the direction of the wrong city. Compiling evidence from both historic sources and new technologies point to the correct location in this seismic, revelatory new film.

In this startling and original documentary, writer and historian, Dan Gibson, shows that descriptions of Mohamed’s original holy city – as detailed in the Qur’an and Islamic histories, do not match that of the Mecca we know today.  If true this could shake Islam to it’s roots, because every Muslim is required to pray towards  the ‘forbidden gathering place’. If Dan Gibson is right, Muslims are praying in the wrong direction.

In the film ‘The Sacred City’ we set out his evidence from within Islamic and ancient histories – while also using modern technologies –  to track down the biggest secret of the last fifteen hundred years. Gibson not only finds the location of the original Mecca but also provides a convincing argument as to how such a great misunderstanding in Islamic history came about.

While clearly controversial, The Sacred City is respectful of Islam’s prophet, and does not dispute the events of the Qur’an; but shows how a deliberate attempt was made to hide from Islam, secrets that impact every Muslim today. The evidence is compelling and fascinating.

In a time when the world agenda is being set by Islam, it is more important than ever for the origins and history of this world religion to be examined afresh. This is an important documentary with world-wide appeal for both religious and secular audiences.

Beautifully filmed in the ruins and deserts of the middle east, the film is a detective story that investigates the dawn of Islam and will become the most talked about film for years to come.

The Sacred City from Sideways Film on Vimeo.

Burzynski: Cancer Cure Cover Up

Burzynski: The Cancer Cure Cover-up is the story of a pioneering biochemist who discovered a unique and proprietary method of successfully treating most cancers. This documentary takes the audience on a near 50-year journey both Dr. Burzynski and his patients have been enduring in order to obtain FDA-approved clinical trials of Antineoplastons. Defying the face of skepticism, legal attacks from state and federal agencies, and a powerful propaganda campaign to stop Burzynski – this doctor and his patients are still going strong.

Due to the continued failed efforts of state and federal agencies in their attempts to stop Burzynski from continuing to treat patients and expand his research, special interest groups have since launched a relentless propaganda campaign against Dr. Burzynski, and his supporters and patients, in hopes  that this game-changing innovation never reach the open market.

The primary reason that the cancer industry and its regulatory agencies fear the approval of Antineoplastons is purely economical.

If Antineoplastons were FDA-approved for just one cancer type this would mean that anyone of any age diagnosed with any type of cancer could legally insist their oncologist provide them with Antineoplastons “off-label”.   Given the gentle and nontoxic nature of these medications, most people would begin to opt for Antineoplastons as a first line of defense against their cancer instead of first choosing life-threatening yet profitable chemotherapy and radiation.

Burzynski: The Cancer Cure Cover-up investigates this hidden cancer treatment and the decades of failed lawsuits the US government and FDA have pursued in order to try to silence him.

Call Me Dad

Can violent men change? Call Me Dad is a film that takes its audience to the most delicate and painful place inside a parent’s heart. A place where good intentions and hope are pitted against entrenched and tormenting cycles of violence.

For some of these fathers, their fists are their weapons. For others, words and manipulation are most potent, used as part of a sustained pattern of intimidation, threats, and abuse intended to isolate, diminish and control the people they love. Now these men are seeking change. They have come together to talk, share information, challenge and support each other to be better men, partners and fathers to their children.

The group’s founder and facilitator David Nugent believes that women and children have the right to live their lives free from violence, and that men can change if they have the will and opportunity to do so. He challenges men to take ownership of their abusive and violent behaviours, and shows them that they can make different choices, and in doing so, can stop the cycle of violence.

David draws these men deep into conversation about the underbelly of patriarchal forms of masculinity, and the ways in which sexism can harm and diminish women, and constrict and isolate men.

Together the participants in David’s program are reaching for the courage and knowledge they need to be good partners, and good fathers. These men have taken the brave and difficult decision to confront their behaviours and histories head-on. These Dads are fighting to change the story for the next generation. Can these men re-establish ‘family’?

No Limits

Shot over 25 years, No Limits is a ‘7 Up’ inspired long form narrative documentary that follows the lives of our disabled protagonists – Thalidomide victims – over the course of decades, and reveals how changes in societies attitudes to disability have affected them.

It is also a scathing investigation into the crime of the century, as a new generation of Thalidomide babies are born in Brazil, decades after it was banned across most of the western world and its harmful effects publicised. Academy Award winning director John Zaritsky joins activists in Germany, Canada and the UK as they plot to reveal a sinister and long hidden complicity by the Thalidomide manufacturer, their Nazi background and a quest for justice for all.

Victor’s Last Class

At the age of 52 and suffering from terrible chronic back pain, Victor D’Altorio decided to end his life.

Victor was a proud homosexual, a lover of life, honest, and outrageous. As an acting teacher of the Meisner technique for 20 years, he was committed to living in the moment, and accepting all that that had to offer, however painful it may be. But after fighting bone marrow cancer into remission he found himself with debilitating degenerative disc disorder in his neck and back, and he could not deny the pain that he was in or the dim prospects of relief. His personal commitment to truth and honesty made him despise the idea of suicide in the traditional sense. He simply could not cause that pain to the ones he loved. He decided to tell everyone (via his blog) that he was going to kill himself. This is the starting point for our story.

Over the next five months together we see Vic soaking in the tub in pain, making sex jokes, yelling at the cameraman, crying over his deceased partner, teaching eager new students, wavering on the big choice, and bonding with Brendan, the film maker. During this time, Brendan’s mission changes. He stops being simply the filmmaker asking why, and becomes a close friend trying to change Victor’s mind. Brendan puts together an acting class for Victor to teach to remind him of the life he once loved living, he teams with other students to produce the play that Victor had written, he does all he can to convince his new friend and mentor to stick around.

Finding Fidel

Finding Fidel tells the remarkable story of war cameraman Erik Durschmied, who in 1958 journeyed to Cuba’s Sierra Maestra mountains to interview a little-known rebel leader named Fidel Castro. A month later, Castro’s band of fighters rolled into Havana, and the world would never be the same.

Intercutting Durschmeid’s reflections on the lost promise of Castro’s Revolution with his rarely seen interview with the young Fidel, award winning filmmaker Bay Weyman explores the hinge of fate, the vagaries of history, and the power of media in both men’s lives.

Durschmied spent weeks in Castro’s guerrilla headquarters, filming fascinating scenes of camp life with the rebels, and conducting the only known English-language interview with Fidel from the period just before he came to power. The interview is a unique time capsule, vividly depicting Castro’s early views, his struggle against the dictator Batista, and his goals for the Revolution.

“There is no Communism or Marxism in our idea,” Fidel insists. “Our political philosophy is representative democracy and social justice in a well-planned economy.”

Finding Fidel follows Durschmied as he returns to Cuba on the 50th Anniversary of the Revolution, retracing his original route to the mountains. Durschmied tells the true story behind his interviews with Fidel, and of the future dictator’s consummate use of the media to control his message and create his image. The daring young cameraman brought Castro’s message to the world just as Havana fell, and as a result his career took off.

Though he has witnessed many of the major events of our times, for Durschmied the interview on a mountaintop in Cuba remains the most meaningful. As he returns to Castro’s camp in the Sierra Maestra, he finds an unexpected touchstone that marks the beginning and end of the journey.

Princes of the Yen

Princes of the Yen reveals how post-war Japanese society was transformed to suit the agenda of powerful interest groups, and how citizens were kept entirely in the dark about this. History is now repeating itself around the world.

Based on a book by Professor Richard Werner, a visiting researcher at the Bank of Japan during the 90s crash, during which the stock market dropped by 80% and house prices by up to 84%. The film uncovers how the Bank of Japan pumped up and then crashed the Japanese economy, with an aim of inducing change. Today, what happened in Japan 25 years ago is repeating itself in Europe, with an aim of centralizing power in the Eurozone.

The film shows why it is important for central banks to be accountable and transparent. It also explains how International Financial Organizations such as the IMF seek to impose conditions on countries that are mainly of benefit to dominant Western interests. For anyone interested in understanding recent developments and the significance of the establishment of institutions such as the AIIB and the BRICS led New Development Bank, Princes of the Yen provides the background.

Princes of the Yen reveals with clarity the control levers that underpin the dominant ideology of the 21st Century. Piece by piece, reality is deconstructed to reveal the world as it is, not as those in power would like us to believe that it is.

“Because only power that is hidden is power that endures.”

Why I’m Not On Facebook

One man’s soul searching decision on whether or not he should join Facebook sets him off on an epic journey of self-discovery as he weighs the pros and cons of becoming a member of the world’s largest social network.

From long lost high school friends who use it to stay in touch with classmates, to the pick-up artist who trolls the site to score with women, to the criminal who tracks your every movement to know when to rob your house, the best and worst of Facebook is on display. We meet couples bought together using the site, and those driven apart, people who are addicted to its charms and even the Winklevoss twins, the co-creators of Facebook.

Blending interviews with news clips, TV shows and other archival footage, Brant Pindivic documents his search for the meaning of Facebook with a storytelling style that is both personal and endearing, throwing up surprises through out his journey.

The deeper he explores the social network’s vice like grip on those who use it the more he realizes the answers to its popularity lie within.   Whether you’re a fan of Facebook or not, this is one film that is funny, fascinating and a must for anyone wondering what everyone is talking about.

Guardians of the New World

Until recently, many of us thought we were safe online and that the Internet provided a safe haven to share ideas and democratise information with the security of privacy. But then headlines emerged with stories of Wikileaks, Snowden and the NSA.

Guardians of the New World introduces us to the world of hacker culture. Emerging from the 70’s counterculture around conceptions of personal freedom, decentralisation of power and sharing, hacking really came to prominence with the emergence of the Internet as a ubiquitous public forum from the late 90’s onwards.

Hackers have emerged as both a threat to government and civilian security, or its saviour, often depending on your point of view.

Governments are starting to see the dangers presented both from outside their borders and within from this subculture of devoted keyboard warriors and are responding with force. In the USA the authorities do their best to keep up with those suspected of online subversion, while other governments have threatened to switch off the Internet all together. Far from being safe behind their screens, the new digital revolutionaries are being thrown behind bars, or in some countries like Syria tortured, while hackers in other countries do their best to support them, and keep their networks secure.

Guardians of the New World gives context to this often misunderstood subculture. For behind closed doors, in bedrooms and living rooms across the world, a war is being fought that will affect us all, and the battlefield is online.

America’s Surveillance State

We live in the United States of Surveillance – with cameras positioned on every street corner and much more invisible spying online and on the phone. Anyone paying attention knows that privacy is dead. All of this is not happening by accident – well funded powerful agencies and companies are engaged in the business of keeping tabs on what we do, what we say, and what we think.

To many in the world today, the face of America also has a big nose for sniffing and sifting mountains of data – phone calls, emails and texts. And with many mouths silenced by paranoia to keep what they decide is secret, secret.  America has become a Surveillance-Industrial State where everyone’s business has become its business, and where one huge US intelligence Agency has been given the sanction and unlimited amounts of money to spy on the whole world.

Mass Surveillance is the focus of this new 6 part investigative documentary series examining who is watching whom and why.

End of the Road

In 2008 the world experienced one of the greatest financial turmoils in modern history.  Markets around the world started crashing, stock prices plummeted, and major financial institutions, once thought to be invincible, started showing signs of collapse.  Governments responded quickly, issuing massive bailouts and stimulus packages in an effort to keep the world economy afloat.

Although we’ve been told that these drastic measures prevented a total collapse of our system, a growing sense of unease fills the population.  In the world of finance, indeed in all facets of modern life, cracks have started to appear.  What lies ahead as a result of these bold money printing measures?  Was the financial crisis solved, or were the problems merely kicked down the road?

Fatherland

Fatherland is a controversial coming-of-age documentary set in the remote South African bush. It follows a group of Afrikaner boys over 9 days at a military camp in the spirit of their fathers before them.

“You’ve got these millions and millions of blacks around you. Smothering you and killing you.”

However, what starts out as basic training, fitness and camaraderie soon intensifies as the true nature of the camp is revealed and the boys are forced to question their place in the ‘New South Africa’.

“One must look at the negro not as one’s equal but as a child. A black man has the intelligence level of a 14 year old white boy.”

These camps are designed to recreate a sense of Nationalism amongst the next generation of Afrikaaners, though as their training progresses darker ideological elements emerge revealing the stark realities of their training and indoctrination.

“We have the men. We just need to plant the will in you because you’ve been brain washed by old Mandela. Be proud of your race”

The film follows three particular boys and Col. Franz Jooste -an ex-SADF soldier that fought for his country pre 1994 – and focuses on the conflicting views developed by the boys. Under the strict leadership of their camp leader, they struggle to find their identity within their own communities and within their ‘rainbow’ nation at large.  The children are forced to participate in a physically and mentally grueling process that tests their values, believes and identities on every level.

“The truth is that there will definitely be a war in this country. So I’m preparing myself for a war that’s coming.”